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Venus of Google

A Figurine for the Ages – Matthew Plummer-Fernandez’s Venus of Google

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Vanishing Point – UVA redraws perspective with light

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Social Networking With The Living Dead – Matt Pearson

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‘Forest’ – Musical forest by Marshmallow Laser Feast for STRP Biennale

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Glitché – Distort your photos using computer errors and bugs

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Do Not Touch – Celebrate the nearing end of the humble computer cursor

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Fluidic – Sculpture in Motion by WHITEvoid

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Small, Programmable, Wearable and Cheap – Enjoying the ATTiny85 Tutorial

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No-one Ever Cried At A Website – Matt Pearson

ScreenLab 0x02 Residency at University of Salford, MediaCityUK - 3 dimensional computer generated art

ScreenLab 0×02 – Exploring new modes of perception

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Resonate 2013 – The Best Kind of Noise

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basil.js – Computational and generative design using Adobe InDesign

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Shedding Light on Squidsoup – A Conversation with Anthony Rowe

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Creating spectacles with d3 / United Visual Artists – Special Feature

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You Naked – Flat-e for Warp Records and Jamie Lidell

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Senseless Drawing Bot #2 by Takahiro Yamaguchi and So Kanno

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Kentucky Route Zero – Mysterious narrative by Cardboard Computer

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3D Printed Record – 600dpi into 11kHz with Processing and ModelBuilder

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23/01/2012 / Featured, Theory

Designing Programs [Theory]

(This essay was commissioned by Centre national des arts plastiques for Graphisme en France 2012) - Edited by Casey Reas and Chandler McWilliams - Technical mastery and innovation are part of the rich history of visual design. The printing press is the quintessential example ...