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Venus of Google

A Figurine for the Ages – Matthew Plummer-Fernandez’s Venus of Google

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Vanishing Point – UVA redraws perspective with light

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Social Networking With The Living Dead – Matt Pearson

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‘Forest’ – Musical forest by Marshmallow Laser Feast for STRP Biennale

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Glitché – Distort your photos using computer errors and bugs

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Do Not Touch – Celebrate the nearing end of the humble computer cursor

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Fluidic – Sculpture in Motion by WHITEvoid

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Small, Programmable, Wearable and Cheap – Enjoying the ATTiny85 Tutorial

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No-one Ever Cried At A Website – Matt Pearson

ScreenLab 0x02 Residency at University of Salford, MediaCityUK - 3 dimensional computer generated art

ScreenLab 0×02 – Exploring new modes of perception

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Resonate 2013 – The Best Kind of Noise

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basil.js – Computational and generative design using Adobe InDesign

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Shedding Light on Squidsoup – A Conversation with Anthony Rowe

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Creating spectacles with d3 / United Visual Artists – Special Feature

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You Naked – Flat-e for Warp Records and Jamie Lidell

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Senseless Drawing Bot #2 by Takahiro Yamaguchi and So Kanno

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Kentucky Route Zero – Mysterious narrative by Cardboard Computer

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3D Printed Record – 600dpi into 11kHz with Processing and ModelBuilder

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13/11/2012 / Featured, Games, Theory

On simulation, aesthetics and play: Artifactual Playground

In 1958, the American physicist William Higinbotham created what is one of the first instances of what we would today call a modern "video game". The game, named Tennis For Two, was built at the Brookhaven National Laboratory for their ...

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03/04/2012 / Featured, Games, Theory

“Exhausting Gameplay” by Douglas Edric Stanley / Theory, Games

A significant percentage of video games employ in one way or another the figure of death. The thanatological sub-species of video game representations are practically endless: dismemberment, infection, untreatable wounds, explosion, etc. Players can be eaten, crushed, sliced, diced, quartered, ...