Commissioned by Adobe, the following is the recently completed work by Robert Hodgin for their Remix project. The page on Behance details the process, from initial ideas to the iterative visual + code development in Cinder.
After the successful joint festival edition EM15 in Montréal in 2014, ELEKTRA and MUTEK team up once again to organize DIGITAL QUEBEC. This event will include artistic performances, presentations and professional activities, presented under the banner of the BFI’s Sonic Cinema project. The International Marketplace for Digital Arts (IMDA), a format developed by ELEKTRA since […]
School of Machines, Making & Make-Believe is an organisation dedicated to the imaginative and non-sensical exploration of art and technology. Passionate about interactivity and storytelling. they enjoy learning and playing with tools that make our brains and our dreams come to life. Happening directly after Belgrade’s beloved Resonate Festival, from April 20th-May 22nd, 2015, with a unique mix of talents hailing from the RCA […]
The biggest installation yet by Nils Völker is comprised of nineteen huge golden cushions hung in the temporary art space “M0Bi” in Groningen (The Netherlands). The cushions are made from mylar foil and are selectively inflated and deflated in controlled rhythms to create a sizzling and constantly changing soundscape in the exhibition space. The exhibition runs until mid […]
Sónar+D is inviting applications to participate at the upcoming MarketLab 2015 (18-20 June, Barcelona). Technology companies, start-ups, creative labs, developers, universities and organizations of all kinds working with creative technologies based on music, audiovisuals, new media and video games, exploring new forms of creation, production, distribution or marketing are all welcome.
Originally conceived and built as a physical installation piece back in 2013, Fortune is the latest in Zach Gage‘s series of twitter bots that started in 2009 with Best Day Ever, and the first to live in a context outside of twitter. Fortune a new kind of Fortune Teller — one that auto-generates fortunes based of content from twitter. […]
In this essay Ian Bogost discusses the problems behind algorithms as ‘devotional phenomenon’ akin to god and the way these metaphors tunnel into culture making ‘us forget that particular computational systems are abstractions, caricatures of the world, one perspective among many”. The algorithmic metaphor is just a special version of the machine metaphor, one specifying a particular kind […]
Conceived, designed and built by Open Work, Predominantly brings an element of serendipity back into the search for music. We all want to have special, unique experiences with our music, we love having “our” music, and discovery is a big part of that. But when did that last happen? In the days of iTunes and […]
Teenage Engineering and Cheap Monday launch a line of pocket operators – micro synthesizers that fit in your pocket and a line of matching gear. The launch takes place simultaneously instore and online at Colette, Paris and the NAMM trade show in Los Angeles. Teenage Engineering’s new line of musical instruments is called pocket operators and […]
Entry Deadline is March 6th 2015 The Prix Ars Electronica has begun accepting entries. The deadline is March 6th. This year’s competitive categories are Computer Animation / Film / VFX, [the next idea] voestalpine Art and Technology Grant, Hybrid Art, Digital Musics & Sound Art, and u19 – CREATE YOUR WORLD. Plus, all previous winners […]
The Overkill is a 48 hours nonstop event focused on the gaming culture located in Enschede, Netherlands. The festival stands at the point where films, video games, art, technology and science meet and interact with each others. The festival wants to show how this interconnections influence the evolution of our society. In partnership with the […]
New Materials New Methods, is the eighth in the Rotterdam-based V2_ Institute for the Unstable Media’s series of Blowup Readers. The (free) eBook explores the relationship between innovation, art and science, and simultaneously speculates future opportunities while scanning the past. V2_ Curator Michelle Kasprzak introduces the collection of essays’ (and a related workshop’s) origin as being partially […]