Fluid Vase [Processing, Objects]

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• Dokfest Forest Identity [Processing] For the 26th edition of the Kassel Documentary Film and Video Festival, FIELD designed an identity based on the festival’s film submission database. Set in a thick and obscure forest like the wooded surroundings of Kassel, the colourful spheres form a sculptural representation of the programme – each of them represents a film, video, or installation work shown at the festival. A unique structure emerges from the forest when hundreds of these individual objects come together – like the festival brings together artists and visitors from all over the world, regional talent and established filmmakers, professionals and interested locals. Each film is represented by a sphere, with the size showing the length of the work. When two films coincide in all 3 parameters, meaning their spheres would sit in the same position, they cluster around this position like grapes on a vine. A generative colour palette assigns a unique shade to each represented work, which it keeps throughout all diagrams. The forest in the images was rendered using luxrender and took about 8 hours on a large amazon ec2 instance. Geometry was generated in a custom Processing application and then imported into Blender. See images below + make sure you visit field.io for more wonderful work by the London based studio. For more great Processing projects on CAN, see […]
• Buttons [Processing, Objects] Buttons in a project by Sascha Pohflepp playing on the notion of the camera as a networked object. Unlike a conventional analog or digital camera, this one doesn't have any optical parts. It is a camera that will only capture a moment at the press of a button by recording only the time it was pressed. Quickly after it begins to continuously search on the net for other photos that have been taken in the very same moment and displays on the screen. Essentially, it is a camera that - using a SonyEricsson K750i hidden behind the boxing - takes other'sphotos. Photos that were created by someone who pressed a button somewhere at the same time as its own button was pressed. Taking a photo means making a memory. Choosing a moment in time and framing a situation. Archiving it or making it public. Either way, we create a visual item that we have an emotional attachment to through our memory. Photos help us to remember moments in our past. Often they even become a memory in their own right. For many, making their moments public through services like Flickr is already part the process of photography itself, creating archives which contain a vast collection of visual fragments of individual lives. Built with Processing / Mobile Processing. Photo search using the Flickr API. This project was conceived by Sascha Pohflepp as a diploma thesis in Visual Communication at the Berlin University of the Arts (UDK). It was supervised by prof. Joachim Sauter and Jussi Ängeslevä. blinksandbuttons.net (via random-magazine) See also Social Collider […]
• Sketch Chair [Processing, Objects] Sketch Chair by Greg Saul is a exploration in using computation and rapid manufacturing techniques to allow users to design and build their own products or in this case their own chairs. Created in Processing, the application allows users to take part in the entire process of designing and building their own chairs. Chairs are designed using a simple 2D sketch-based interface and design validation tools. Thereafter chairs can be fabricated from sheet materials cut by a laser cutter, CNC milling machine or papercutters. The project is a collaboration with JST ERATO Design UI Project in Tokyo. This software is in Beta release. * Windows 64-bit systems are currently not supported. Will be adding support shortly. Windows: SketchChairV0.9.3 (16/06/2010, 7.98MB) Mac OSX: (coming soon) Linux: (coming soon) (via […]
• Mickey Mouse Club by Matthew Plummer-Fernandez Following the recent clashes with 3D printers over IP concerns, Matthew Plummer-Fernandez chose to disguise his latest derivative of Mickey Mouse and to explore this smoothed 3D […]
• Nadia [Java, Objects] Created by Andrew Kupresanin, Nadia is a camera that has no display of the photographs to be taken, but rather gives the judgment of aesthetic quality to the machine, displaying only a current rating as feedback about when and what to snap. Within pop culture and society artificial intelligence has been a topic that is approached with hope, fear, cynicism, curiousity and caution. However many intelligent devices have already been effortlessly absorbed into our culture and everyday lives. Currently under development, we will soon see devices and systems that have the ability to think creativly and infer beauty. As this novel technology improves and works its way into consumer devices, what effect will it have on individual preference and our creative process? The prototype shown here comprises a PyS60 script running on a Nokia N73, a Java App running on a Mac and the online 'aesthetic quality inference engine' ACQUINE . The PyS60 script takes a photo which is sent via Bluetooth to the Java App, and from there uploaded to ACQUINE. The returned rating is then sent back to the camera N37 and displayed. (Thanks Andrew!) See also Artificial Smile [openFrameworks, Objects] and Buttons [Processing, […]
• Solar Sinter [Objects, Arduino] Amongst the wonderful collection of work currently on show at the Royal College of Art, in the corner on the first floor sits an installation/object by Markus Kayser called Solar Sinter. An MA Design Products student project, Solar Sinter is probably one of the most inspiring projects this year, aiming to raise questions about the future of manufacturing and triggers dreams of the full utilisation of the production potential of the world's most efficient energy resource - the sun. In a world increasingly concerned with questions of energy production and raw material shortages, this project explores the potential of desert manufacturing, where energy and material occur in abundance. In this experiment sunlight and sand are used as raw energy and material to produce glass objects using a 3D printing process, that combines natural energy and material with high-tech production technology. In August 2010 Markus Kayser took his first solar machine - the Sun-Cutter (see video below) - to the Egyptian desert in a suitcase. This was a solar-powered, semi-automated low-tech laser cutter, that used the power of the sun to drive it and directly harnessed its rays through a glass ball lens to ‘laser’ cut 2D components using a cam-guided system. In the deserts of the world two elements dominate - sun and sand. The sun offers the energy and sand an unlimited supply of silica in the form of quartz. When silicia sand is heated to melting point, once cooled solidifies as glass. This process of converting a powdery substance via a heating process into a solid form is known as sintering and has in recent years become a central process in design prototyping known as 3D printing or SLS (selective laser sintering). By using the sun’s rays instead of a laser and sand instead of resins used in modern 3D printers, Markus had the basis of an entirely new solar-powered machine and production process for making glass objects that taps into the abundant supplies of sun and sand to be found in the deserts of the world. The Solar-Sinter was completed in mid-May and later that month Markus took this experimental machine to the Sahara desert near Siwa, Egypt, for a two week testing period. The machine and the results shown here represent the initial significant steps towards what Markus envisages as a new solar-powered production tool of great potential. The Solar-Sinster uses ReplicatorG software, an open source 3D printing program. For more information, see replicat.org. The project is currently on show at the Royal College of Art graduate exhibition and I agree "a 'must-see' event for anyone interested in twenty-first century art and design". 24 June to 3 July 2011. Royal College of Art Kensington Gore, London SW7 2EU Project Page (Thanks to Steffen for pointing it out) Related: Known Unknowns [Processing, Objects] by @comkee + @ranzen at ... Dromolux [Processing, Objects] - Increasing cognitive […]
• Nervous System [Profile, Cinder, Processing] Nervous System is a small collective founded in 2007 by Jessica Rosenkrantz and Jesse Louis-Rosenberg with aim to create innovative products using physical and computer based algorithmic tools. Jessica Rosenkrantz graduated from MIT in 2005 and holds degrees in Architecture and Biology. Jesse Louis-Rosenberg also attended MIT, majoring in Mathematics. He previously worked as a consultant for Gehry Technologies building modeling and design automation. Mixed backgrounds have allowed the team to deploy innovative approaches to product design resulting in objects that are both engaging visually and in the process they were created. The diversity of output ranges from jewellery to furniture generally inspired by nature - decay, cell formations, recursion, landscape. Using Processing, MeshLab and most recently Cinder, most products relish the complexity aesthetic resulting in intricate creations made by the machines - 3d printers/laser cutters/CNC, etc. Seen as methods for output, the team employs computer algorithms to derive and extract still forms. Driven mainly by aesthetics, these objects are beautiful, unique, made in porcelain,  stainless steel, wood, nylon, wool felt, rubber and more. Leaf shaped earrings with a pattern that contrasts a primary structure of organic curves with a small scale geometric texture. A two stage growth process generated the pattern. First we grew a sparse open tree of veins; afterwords, we introduced a second set of signals to grow the more perpendicular micro-scale pattern. Most recently, for the Reaction show at Rare Device, the team recreated two of their design algorithms as interactive ipad applications using Cinder framework that allow visitors in the gallery to engage in our process and try their hand at the generative. The two applications are Cell Cycle, which creates cellular bracelets and rings for 3dprinting, and Xylem which simulates leaf vein formation. The Cell Cycle app uses a physics simulation to sculpt a mesh for 3dprinting. Visitors can use multitouch controls to stretch, twist, and scale the basic form. Using the control panel on the left they can change the basic mesh parameters and define boundary curves along the edges of the piece. Most significantly, they can also touch anywhere on the model to subdivide cells and introduce additional springs to the system. (video) The Xylem app allows people to paint on and erase horomone sources that will effect the venation structure’s growth. (video) We can't deny the beauty of these objects but one can't help but question the static nature of them. Algorithms are as much about variables as they are about output. Freezing them in time, giving them static shape questions how viable is one objects to the next. If they exist in the range, does only personal aesthetic preference decide importance of one over another and where the process plays such an important part how can we ignore their pre and postdecessors. Can their physical manifestation exist not just as a single frame and how does this affect their validity. Are these just decoration and if so, does it then matter if they were created using generative tools or just simply drawn as they are? Just a thought.. The team nevertheless continues to inspire, creating some of the most wonderful objects out there. While the process may be somewhat questionable I do enjoy their beauty. It's also very exciting to see what is possible and when it comes to keeping up with the manufacturing methods Nervous System definitely appear to be few steps ahead. Nervous System | Flickr | Shop See also Jared Tarbell [Profile, […]
• Fluid Motion Painter [iPhone] A new addition to the ever growing collection of particle emitters for the iPhone, Fluid Motion Painter is a new release by David Hoe with a considerable amount of features to create and modify particle effects. Apart from what you would expect, and we have seen a number of apps incorporate elements like colours and stroke sizes, Fluid Motion Painter includes features like frame-by-frame viewing, force direction, rotations and much more. Features: + Full resolution, high frame-rate, cutting edge graphics + Make your own colour sets, or choose from preset color combinations + Low and high level control over field customization + Set of high level options to customize global motion such as speed, randomness, scaling and translations + Includes a custom field editor with velocity brush to shape the underlying movement + Choose from different brush types + Single or dual touch + Quick pause - top corners + Frame-by-frame viewing + Snapshot button saves to 'saved photos' folder + Infinite amount of possible variation For more example images, see fmpapp.com Platform: iPhone Version: 1.0 Cost: $0.99 Developer: Headvoid via Fluid Motion Painter - About […]