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Emerging trajectories in art, science, and technology.

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MIT Media Lab Identity [Processing]

In 2010 MIT Media Lab approached TheGreenEyl and E Roon Kang to update their identity for the lab’s 25th anniversary. Previous identity components were designed in 1984 by Jaqueline Casey, but there never was an actual logo per se. The team developed an algorithmic logo using Processing (founded by Ben Fry and Casey Reas in 2001 while at the MIT Media Lab) in an effort to capture the dynamism and diversity of the MIT Media Lab. The main concept is the idea of the intersection, each of the cones representing one individual coming to the lab.

Richard The describes:
People come from many different backgrounds—engineers, scientists, artists, designers— and have very different ways of thinking, seeing and working. At the lab these people cross paths, collaborate, and inspire each other, and that’s the magic of this place. The outcome of this intersection makes up the logo shapes. The cones are organized on a square grid which is the underlying structure for each generated logo. The grid, albeit invisible, symbolizes the environment the MIT Media Lab provides, academically, physically and intellectually.

The algorithm is a Processing application that generates the individual logos. The team used it to generate 40.000 logos in 12 color combinations (~480.000 total). Exporting SVG from Processing, then converting that to CMYK pdfs in Illustrator (using AI scripting). The logos are based on a square grid (4×4 squares). Each of the three shapes can move around within the grid,
according to a certain aesthetic ruleset (has to hit boundaries, has to intersect with other shapes).

In addition, the web interface was developed where each person can choose one logo for their own business card (and for further use on their individual card etc).These were not rendered on the fly but only allow users to select which logo they prefer.

Project Page

    • Oliver

      Hi Tony! Nice logo!

    • Ryan

      Would be great if it made any sense beyond vacant geometry; that is overly hip and shallow, honestly.

    • Ryan

      Would be great if it made any sense beyond vacant geometry; that is overly hip and shallow, honestly.

    • Martin Lindelöf

      Very nice identity work.

    • Ola Lovholm

      Ah processing is great! I like MIT media lab and many of your inventions.
      Congratulations from Alison House, University of Edinburgh

    • Robert O ‘Rourke

      The explanation (assuming you read it) makes a lot of sense to me and it’s no more cryptic than many other logos & identities. I think it works really well

    • Anonymous

      ah, you didn’t look close enough… the black boxes move to the corners of the colored boxes; it’s a dance; a structure to the interactions between people at the media lab.

    • SAM-

      very nice logo:) like it.

    • SAM-

      very nice logo:) like it.