CAN contributor Dylan Schenker considers AUTOMATA (“art made by machines for machines”) and the uneasy relation between human and machine aesthetics at the third edition of Montreal’s BIAN digital art biennale.
As part of EM15 in Montreal, CAN will be organising live Q&A sessions with audiovisual performers Matthew Biederman and Alan Thibault, and Paul Prudence.
A little bench next to a pink orchid – Florian Grond, Austrian artist, scientist and ZKM alumni, offers visitors to Along the Line a friendly, but calculated spot to sit down in front of his abstract, wider than wide video projection. Once they do they inevitably become part of it. Captured by a small camera that feeds […]
File this one under better late than never: Olivier Ratsi’s White Roads in the Red Matrix (Deconstruction Time, Again project) was one of the cleverest installations CAN encountered at the International Digital Arts Biennial (BIAN) in Montreal several weeks ago. Appearing as part of the Out of the Blue/Into the Black exhibition of French media […]
Several prominent currents run through the oeuvre of Montreal’s Matthew Biederman – data systems, politics, broadcast media, performance and the promotion of awareness of northern landscapes and cultures. Another interest that is evident across Biederman’s body of work is colour, a fascination that he demonstrates an almost painterly preoccupation with within several of the installations that […]
Installation and media artist François Quévillon was amongst the many practitioners discussing their work at the International Marketplace for Digital Arts presentations during the BIAN two weeks ago in Montreal. Quévillon used his talk to give a brief overview of his experiments with ‘urban imaging’ over the last several years and he showed a […]
CAN was all over the recent International Marketplace for Digital Arts (IMDA) event that took place as part of the first edition of the International Digital Arts Biennial (BIAN) in Montreal. These speed talks allowed a global roster of artists, curators and organizers to discuss their current projects for the assembled audience and—fueled by a […]