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‘Murmur’ bridges physical and virtual using sound

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Silk Pavillion – CNC Deposited Silk & Silkworm Construction at the MIT Media Lab

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Light Leaks – Filling a room with projected light

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Geometry, Textures & Shaders with Processing – Tutorial

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A Figurine for the Ages – Matthew Plummer-Fernandez’s Venus of Google

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Vanishing Point – UVA redraws perspective with light

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Social Networking With The Living Dead – Matt Pearson

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‘Forest’ – Musical forest by Marshmallow Laser Feast for STRP Biennale

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Glitché – Distort your photos using computer errors and bugs

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Do Not Touch – Celebrate the nearing end of the humble computer cursor

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Fluidic – Sculpture in Motion by WHITEvoid

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Small, Programmable, Wearable and Cheap – Enjoying the ATTiny85 Tutorial

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No-one Ever Cried At A Website – Matt Pearson

ScreenLab 0x02 Residency at University of Salford, MediaCityUK - 3 dimensional computer generated art

ScreenLab 0×02 – Exploring new modes of perception

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Resonate 2013 – The Best Kind of Noise

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basil.js – Computational and generative design using Adobe InDesign

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Shedding Light on Squidsoup – A Conversation with Anthony Rowe

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Creating spectacles with d3 / United Visual Artists – Special Feature

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Brian House – Forty-Eight to Sixteen

24/09/2012 / Sound

Commute as Composition – Brian House’s Forty-eight to Sixteen

Scat vocalist Cab Calloway once claimed that when he walked down eighth avenue, he "saw rhythms" rather than the cityscape or bustling sidewalk. This past summer, fellow New York City explorer Brian House prototyped an elaborate workflow for sonifying a ...