In two weeks the inaugural edition of the Gray Area Festival takes place in San Francisco. Fusing a conference, performances, workshops, and an exhibition, the event gathers artists and philanthropists to discuss the impact of art and technology on culture. Several weeks back CAN announced the homeward stretch of Gray Area’s #ReviveTheGrand fundraising drive, now […]
Learn more about the making of HOLO 2. Featuring over 30 contributors from a dozen countries and a hefty 200 pages of premium print, HOLO returns and endeavours to be smarter, more substantive, and more special than our first issue.
Making an argument for software as a dense medium for visual arts. After doing work for 10 years, in this presentation Casey Reas reflect on the work and tries to put this argument for coding in a wider context.
(This essay was commissioned by Centre national des arts plastiques for Graphisme en France 2012) – Edited by Casey Reas and Chandler McWilliams – Technical mastery and innovation are part of the rich history of visual design. The printing press is the quintessential example of how a shift in design technology can ripple through society. In the […]
Process Compendium 2004-2010 is a collection of work and record of process by Casey Reas, co-founder of Processing, presented and created entirely in Processing. If you have seen Casey speak, this is another opportunity to examine and explore generative art Casey has been creating in the past few years. If you haven’t, (must) download links below. […]
FORM+CODE is the latest book by Casey Reas, Chandler McWilliams + LUST and published by Princeton Architectural Press. The book offers an insight into design by code used by designers, artists and architects to explore and derive to new ways of generating and translating ideas. Broken down into eight chapters, the book attempts to categorise different techniques used in […]