Created by LUSTlab in collaboration with The Mobile City, Binnen de Lijnen is part of an ongoing research project called Public Space – Public Matter from Trancity. Over 100 children took part in colouring the playground which visualised the spatial organization of Schilderswijk’s social life.
This past Saturday Ryoji Ikeda presented the North American premiere of superposition to a crowd of several hundred at the Musée d’art Contemporain de Montréal (MAC). As would be expected, the sixty-five minute multiscreen performance played out as kind of a data aesthetics megamix that flashed through a series of precisely choreographed abstract visual vignettes that grappled with the digital sublime and pondered the agnosticism of network culture.
Created as a collaboration between The OCR and Pulitzer Prize winning researcher Ashkan Soltani, Floodwatch is a tool designed to empower individuals to see how advertisers are profiling them, and to share data with privacy researchers in an effort to combat discriminatory practice. Many of the ads in my Floodwatch history are artifacts from these algorithmic leaps of […]
Series of works exploring the subject of drawing images in the space around the earth using latitude, longitude and altitude as a coordinate system.
In the recent months Mark Wheeler has been working on a series of visual sound experiments by creating openFrameworks apps that you can ‘play’ visually, generating animations from MIDI data….
“Almost every part of our lives, from medicine to music, is now shaped, informed or controlled in some way by algorithms. They have become one of the most powerful forces shaping the 21st century, but remain invisible and impenetrable to all but a few.” – Matthew Falla, Founding Partner of Signal Noise As part of […]
“The Agency At The End Of Civilisation” is a real time interpretation of the data of the Internet of Cars project using the UK car number plate recognition system aligned with real time images from one hundred CCTV cameras in the region of South of England. The Agency At The End Of Civilisation By Stanza.
Nathan at Flowing Data recently posted this great visualization of Billboard’s top 100 songs – since the creation of their Hot 100 list in 1958. The list is based on airplay and sales. The image above are the songs in chart form. via Chart-Topping Songs as Graphs and Diagrams.
Created by Kyle McDonald, “Sharing Faces” uses a megapixel surveillance camera and custom software to match the face locations of the persons looking at the screen. As the person moves, new images are pulled from the database matching the new location and create a mirror-like image of yourself using the images of others.
Rebus Cumulations combines abstract data visualisation and cinemagraphic still lifes into an alchemy of different artistic languages presented in the three meter installation for Soundcloud HQ in Berlin.
Fibers is a visualization of Nike FuelBand data from the trainings preceding We Own The Night – Nike Women’s 10K run.
Play the World invites visitors to perform with a keyboard that finds samples with the same note in near realtime from web radio stations around the world.