Featured /

A Figurine for the Ages – Matthew Plummer-Fernandez’s Venus of Google

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Vanishing Point – UVA redraws perspective with light

Social Networking With The Living Dead – Matt Pearson

‘Forest’ – Musical forest by Marshmallow Laser Feast for STRP Biennale

Glitché – Distort your photos using computer errors and bugs

Do Not Touch – Celebrate the nearing end of the humble computer cursor

Fluidic – Sculpture in Motion by WHITEvoid

Small, Programmable, Wearable and Cheap – Enjoying the ATTiny85 Tutorial

No-one Ever Cried At A Website – Matt Pearson

ScreenLab 0×02 – Exploring new modes of perception

Resonate 2013 – The Best Kind of Noise

basil.js – Computational and generative design using Adobe InDesign

Shedding Light on Squidsoup – A Conversation with Anthony Rowe

Creating spectacles with d3 / United Visual Artists – Special Feature

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You Naked – Flat-e for Warp Records and Jamie Lidell

Senseless Drawing Bot #2 by Takahiro Yamaguchi and So Kanno

Kentucky Route Zero – Mysterious narrative by Cardboard Computer

3D Printed Record – 600dpi into 11kHz with Processing and ModelBuilder

Elliot Woods

08/04/2013 / c++, Events, Featured, openFrameworks, Processing, vvvv

ScreenLab 0×02 – Exploring new modes of perception

Last December 3 artists were working at The University of Salford, as part of the ScreenLab artist in residence initiative by Elliot Woods and Kit Turner. The initiative aims to explore modes of perception and interaction under the theme 'Future of Broadcast'. The invited artists, Kyle ...

03/12/2012 / Environment, Events, openFrameworks, vvvv

ScreenLab #2 – New work in the making

For the past week, three artists have been working at the ScreenLab / MediaCityUK, Salford University, an internal artist in residence initiative by Elliot Woods and Kit Turner to explore modes of perception and interaction under the theme 'Future of Broadcast'. The invited ...

24/07/2012 / Featured, openFrameworks, Other, vvvv

‘Assembly’ by Kimchi and Chips – 5,500 physical pixels and digital light

A hemisphere of 5,500 white blocks occupies the air, each hanging from above in a pattern which repeats in order and disorder. Pixels play over the physical blocks as an emulsion of digital light within the physical space, producing a ...