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Venus of Google

A Figurine for the Ages – Matthew Plummer-Fernandez’s Venus of Google

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Vanishing Point – UVA redraws perspective with light

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Social Networking With The Living Dead – Matt Pearson

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‘Forest’ – Musical forest by Marshmallow Laser Feast for STRP Biennale

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Glitché – Distort your photos using computer errors and bugs

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Do Not Touch – Celebrate the nearing end of the humble computer cursor

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Fluidic – Sculpture in Motion by WHITEvoid

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Small, Programmable, Wearable and Cheap – Enjoying the ATTiny85 Tutorial

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No-one Ever Cried At A Website – Matt Pearson

ScreenLab 0x02 Residency at University of Salford, MediaCityUK - 3 dimensional computer generated art

ScreenLab 0×02 – Exploring new modes of perception

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Resonate 2013 – The Best Kind of Noise

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basil.js – Computational and generative design using Adobe InDesign

Squidsoup – Thumbnail

Shedding Light on Squidsoup – A Conversation with Anthony Rowe

UVA Cover copy

Creating spectacles with d3 / United Visual Artists – Special Feature

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You Naked – Flat-e for Warp Records and Jamie Lidell

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Senseless Drawing Bot #2 by Takahiro Yamaguchi and So Kanno

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Kentucky Route Zero – Mysterious narrative by Cardboard Computer

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3D Printed Record – 600dpi into 11kHz with Processing and ModelBuilder

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01 - DMX-LED - Kalle Karlen-coverx

07/10/2011 / Featured, Theory

Patch Schematics – The Aesthetics of Constraint / Best Practices [Theory]

Visual programming languages, languages that create programs by the manipulation of graphical elements, as opposed to specifying lines of text, have seen an increased popularity in recent years both in audio and video synthesis. Some of the more well-known environments, ...