Building on the experience of our past educational programming at ACT Festival, Resonate, and Circle of Light, CAN has partnered to launch a new initiative in Toronto this August. Our first North American event, A-B-Z-TXT is a school for 21st century typography.
The Toronto-based Vector Festival is “dedicated to showcasing digital games and creative media practices,” and its curators are seeking submissions of work to be featured in its fourth edition this summer.
“There Should be Gardens” is the title of the 14th edition of InterAccess’s Emerging Artists Exhibition. Drawing on her research in feminist/queer curatorial and media arts practices, the exhibition is curated by Toronto’s Amber Christensen and showcases five Canadian early career artists whose practices address “the interconnectedness of technologies, ecologies, botanies, gender and the cosmos.” In aggregate the show’s selected works invoke elemental qualities, amplify and abstract natural materialities, and offer different modes of seeing and engaging the world. With the show winding down this week, CAN engaged Christensen in a Q&A to unpack the show’s framing and provocative works.
Currently planning a winter 2016 exhibition on the topic, Toronto’s artist-run centre InterAccess recently posted a call for drone art. While drones have been a muse and object of fascination in media art circles for the last five years, few exhibitions dedicated to their exploration have been mounted—so this is an interesting opportunity. Drones, or […]
Constructed Land is a multi-format exhibition that meticulously catalogues a two year/65,000 image archive of photographs scraped from the website of a weather station based in Kimmirut, Nunavut (Northern Canada). Mounted at Toronto’s InterAccess this past spring, the exhibition is comprised of a range of projections, displays, interfaces and a series of prints, all of which […]