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‘Murmur’ bridges physical and virtual using sound

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Silk Pavillion – CNC Deposited Silk & Silkworm Construction at the MIT Media Lab

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Light Leaks – Filling a room with projected light

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Geometry, Textures & Shaders with Processing – Tutorial

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A Figurine for the Ages – Matthew Plummer-Fernandez’s Venus of Google

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Vanishing Point – UVA redraws perspective with light

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Social Networking With The Living Dead – Matt Pearson

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‘Forest’ – Musical forest by Marshmallow Laser Feast for STRP Biennale

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Glitché – Distort your photos using computer errors and bugs

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Do Not Touch – Celebrate the nearing end of the humble computer cursor

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Fluidic – Sculpture in Motion by WHITEvoid

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Small, Programmable, Wearable and Cheap – Enjoying the ATTiny85 Tutorial

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No-one Ever Cried At A Website – Matt Pearson

ScreenLab 0x02 Residency at University of Salford, MediaCityUK - 3 dimensional computer generated art

ScreenLab 0×02 – Exploring new modes of perception

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Resonate 2013 – The Best Kind of Noise

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basil.js – Computational and generative design using Adobe InDesign

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Shedding Light on Squidsoup – A Conversation with Anthony Rowe

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Creating spectacles with d3 / United Visual Artists – Special Feature

Mitchell Whitelaw

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09/01/2012 / Theory

Paul Prudence Interviews Mitchell Whitelaw [Theory]

Mitchell Whitelaw, #climatedata proposal (2009) One of the most articulate and accessible voices within the generative art scene is undoubtedly the Canberra-based scholar/practitioner Mitchell Whitelaw. Given his relative (internet) silence over the last year, news of an interview—conducted by Paul Prudence, no less—published in ...