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A Figurine for the Ages – Matthew Plummer-Fernandez’s Venus of Google

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Vanishing Point – UVA redraws perspective with light

Social Networking With The Living Dead – Matt Pearson

‘Forest’ – Musical forest by Marshmallow Laser Feast for STRP Biennale

Glitché – Distort your photos using computer errors and bugs

Do Not Touch – Celebrate the nearing end of the humble computer cursor

Fluidic – Sculpture in Motion by WHITEvoid

Small, Programmable, Wearable and Cheap – Enjoying the ATTiny85 Tutorial

No-one Ever Cried At A Website – Matt Pearson

ScreenLab 0x02 Residency at University of Salford, MediaCityUK - 3 dimensional computer generated art

ScreenLab 0×02 – Exploring new modes of perception

Resonate 2013 – The Best Kind of Noise

basil.js – Computational and generative design using Adobe InDesign

Shedding Light on Squidsoup – A Conversation with Anthony Rowe

Creating spectacles with d3 / United Visual Artists – Special Feature

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You Naked – Flat-e for Warp Records and Jamie Lidell

Senseless Drawing Bot #2 by Takahiro Yamaguchi and So Kanno

Kentucky Route Zero – Mysterious narrative by Cardboard Computer

3D Printed Record – 600dpi into 11kHz with Processing and ModelBuilder

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12/05/2011 / Arduino, MaxMSP, Other, Sound

L.S.D + Light Sequencer [iPhone, PD, Arduino, Sound]

If you liked the 'Extending the Touchscreen' project by Michael Knuepfel here are a few experiments by Benjamin Gaulon using displays to convert light to sound waves. He writes: Research and recent innovations have led to an amazing increase of types and uses ...

07/03/2011 / Objects

Playing with a flat screen from the trash [Objects]

Back in 2010, trying to find a flat screen for his final project, Ishac Bertran found one on the trash that seemed ok. Unfortunately the VGA connector was broken but he managed to use the DV only to realise that ...

18/11/2009 / Inspiration

Scan Processor Studies [Inspiration]

The Scan Processor Studies are a collection of works by Woody Vasulka & Brian O'Reilly. The full work is of total approximate duration of 45 minutes, with sections of various lengths, textures, and dynamic qualities. The works use sources excavated directly from ...