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	<title>CreativeApplications.Net &#187; visualization</title>
	<atom:link href="http://www.creativeapplications.net/tag/visualization/feed/" rel="self" type="application/rss+xml" />
	<link>http://www.creativeapplications.net</link>
	<description>Apps that Inspire..</description>
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		<title>Best Friends &#8211; Casting in wax 451 connections on Facebook [Objects]</title>
		<link>http://www.creativeapplications.net/objects/best-friends-objects/</link>
		<comments>http://www.creativeapplications.net/objects/best-friends-objects/#comments</comments>
		<pubDate>Fri, 27 Jan 2012 17:48:44 +0000</pubDate>
		<dc:creator>Greg J. Smith</dc:creator>
				<category><![CDATA[Objects]]></category>
		<category><![CDATA[Other]]></category>
		<category><![CDATA[3d printing]]></category>
		<category><![CDATA[Colin Pinegar]]></category>
		<category><![CDATA[data]]></category>
		<category><![CDATA[facebook]]></category>
		<category><![CDATA[object]]></category>
		<category><![CDATA[sculpture]]></category>
		<category><![CDATA[visualization]]></category>
		<category><![CDATA[wax]]></category>
		<category><![CDATA[web]]></category>

		<guid isPermaLink="false">http://www.creativeapplications.net/?p=21652</guid>
		<description><![CDATA[Is post social media friendship an emotional investment of diminishing returns? It really depends who you ask. Midwest-based designer Colin Pinegar&#8217;s recent BFA project Best Friends definitely calls the authenticity of ubiquitous connectivity into question, or at least adds some nuance to qualifying these relationships. Pinegar created a &#8216;scorecard&#8217; for his Facebook friends that awarded [...]]]></description>
			<content:encoded><![CDATA[<p><a href="http://www.creativeapplications.net/wp-content/uploads/2012/01/16.jpg"><img title="16" src="http://www.creativeapplications.net/wp-content/uploads/2012/01/16-640x426.jpg" alt="" width="640" height="426" /></a></p>
<p>Is post social media friendship an emotional investment of diminishing returns? It really depends who you ask. Midwest-based designer Colin Pinegar&#8217;s recent BFA project <em>Best Friends</em> definitely calls the authenticity of ubiquitous connectivity into question, or at least adds some nuance to qualifying these relationships. Pinegar created a &#8216;scorecard&#8217; for his Facebook friends that awarded each online connection 1-25 points based off a range of criteria (<em>do I know this person&#8217;s phone number? can I recognize this person by their name alone?</em> etc.)<p><a href="http://www.creativeapplications.net/objects/best-friends-objects/?utm_source=feed&utm_campaign=rss-mo-more&utm_medium=rss">Continue reading.... Best Friends &#8211; Casting in wax 451 connections on Facebook [Objects]</a></p>]]></content:encoded>
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		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Daiku [Processing, Sound]</title>
		<link>http://www.creativeapplications.net/processing/daiku-processing-sound/</link>
		<comments>http://www.creativeapplications.net/processing/daiku-processing-sound/#comments</comments>
		<pubDate>Thu, 29 Dec 2011 12:57:39 +0000</pubDate>
		<dc:creator>Filip</dc:creator>
				<category><![CDATA[Processing]]></category>
		<category><![CDATA[Sound]]></category>
		<category><![CDATA[Beethoven]]></category>
		<category><![CDATA[Malinowski]]></category>
		<category><![CDATA[Marc Tiedemann]]></category>
		<category><![CDATA[music]]></category>
		<category><![CDATA[visualization]]></category>

		<guid isPermaLink="false">http://www.creativeapplications.net/?p=21020</guid>
		<description><![CDATA[A few months ago, Marc Tiedemann got asked to come up with an animations for the upcoming documentary &#8221;DAIKU &#124; 10000 Japaner singen Beethovens Neunte&#8221; to be aired 31.12.2011 15:20 on ARTE. They required a main title and graphics within the movie. Friedemann Hottenbacher, the director of the piece, showed him the work of Malinowski which turned out to be the [...]]]></description>
			<content:encoded><![CDATA[<p><a href="http://www.creativeapplications.net/wp-content/uploads/2011/12/daikuscreen21-640x318.png"><img class="alignnone size-full wp-image-21026" title="daikuscreen21-640x318" src="http://www.creativeapplications.net/wp-content/uploads/2011/12/daikuscreen21-640x318.png" alt="" width="640" height="318" /></a></p>
<p>A few months ago, Marc Tiedemann got asked to come up with an animations for the upcoming documentary &#8221;DAIKU | 10000 Japaner singen Beethovens Neunte&#8221; to be aired 31.12.2011 15:20 on ARTE. They required a main title and graphics within the movie. Friedemann Hottenbacher, the director of the piece, showed him the work of <a href="http://www.musanim.com/player/">Malinowski</a> which turned out to be the key inspiration for the graphics.</p>
<blockquote><p>Thinking of Japan and Osaka, big cities as well as tradition came to mind. So the result should in a way resemble both while still keeping the aesthetics of a notational system. So I started to program my very own Music Machine based on a simple FFT analysis via processing and played around with shapes and the depth in 3D space.</p></blockquote><p><a href="http://www.creativeapplications.net/processing/daiku-processing-sound/?utm_source=feed&utm_campaign=rss-mo-more&utm_medium=rss">Continue reading.... Daiku [Processing, Sound]</a></p>]]></content:encoded>
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		<slash:comments>0</slash:comments>
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		<item>
		<title>Solyaris [iPad, Cinder]</title>
		<link>http://www.creativeapplications.net/cinder/solyaris-ipad-cinder/</link>
		<comments>http://www.creativeapplications.net/cinder/solyaris-ipad-cinder/#comments</comments>
		<pubDate>Fri, 09 Dec 2011 16:17:04 +0000</pubDate>
		<dc:creator>Filip</dc:creator>
				<category><![CDATA[cinder]]></category>
		<category><![CDATA[iPad]]></category>
		<category><![CDATA[Beat Raess]]></category>
		<category><![CDATA[data]]></category>
		<category><![CDATA[database]]></category>
		<category><![CDATA[information]]></category>
		<category><![CDATA[json]]></category>
		<category><![CDATA[library]]></category>
		<category><![CDATA[networks]]></category>
		<category><![CDATA[visualization]]></category>

		<guid isPermaLink="false">http://www.creativeapplications.net/?p=20683</guid>
		<description><![CDATA[Solyaris by Beat Raess is an &#8220;exploration into organic information design to visualise movies, actors, directors and their relationship&#8221;. The application for iPad made in Cinder allows you to search the entire Open Movie Database (TMDb) collection for movies, actors or directors. Expand nodes to gather information about their connections. Learn about the cast and filmography.Continue [...]]]></description>
			<content:encoded><![CDATA[<p><a href="http://www.creativeapplications.net/wp-content/uploads/2011/12/solyaris_ls_02.png"><img class="alignnone size-large wp-image-20688" title="solyaris_ls_02" src="http://www.creativeapplications.net/wp-content/uploads/2011/12/solyaris_ls_02-640x480.png" alt="" width="640" height="480" /></a></p>
<p>Solyaris by Beat Raess is an &#8220;exploration into organic information design to visualise movies, actors, directors and their relationship&#8221;. The application for iPad made in Cinder allows you to search the entire Open Movie Database (<a title="TMDb — The open movie database" href="http://www.themoviedb.org/" target="_blank">TMDb</a>) collection for movies, actors or directors. Expand nodes to gather information about their connections. Learn about the cast and filmography.</p><p><a href="http://www.creativeapplications.net/cinder/solyaris-ipad-cinder/?utm_source=feed&utm_campaign=rss-mo-more&utm_medium=rss">Continue reading.... Solyaris [iPad, Cinder]</a></p>]]></content:encoded>
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		<slash:comments>0</slash:comments>
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		<item>
		<title>Videorative Portrait of Randall Okita [Processing]</title>
		<link>http://www.creativeapplications.net/processing/videorative-portrait-of-randall-okita-processing/</link>
		<comments>http://www.creativeapplications.net/processing/videorative-portrait-of-randall-okita-processing/#comments</comments>
		<pubDate>Tue, 29 Nov 2011 20:42:03 +0000</pubDate>
		<dc:creator>Filip</dc:creator>
				<category><![CDATA[Processing]]></category>
		<category><![CDATA[generative]]></category>
		<category><![CDATA[network]]></category>
		<category><![CDATA[painting]]></category>
		<category><![CDATA[search]]></category>
		<category><![CDATA[Sergio Albiac]]></category>
		<category><![CDATA[video]]></category>
		<category><![CDATA[visualization]]></category>

		<guid isPermaLink="false">http://www.creativeapplications.net/?p=20469</guid>
		<description><![CDATA[What is a truly realistic portrait? This question inspired a project about going beyond physical appearances and attempting to render the interior world of a human being, through memories, emotions, relationships and personal story. These are the questions that concern Sergio Albiac, which he attempts to answer in his latest project &#8220;Videorative Portrait of Randall [...]]]></description>
			<content:encoded><![CDATA[<p><a href="http://www.creativeapplications.net/wp-content/uploads/2011/11/Videorative04.jpg"><img class="alignnone size-large wp-image-20477" title="Videorative04 copy 2" src="http://www.creativeapplications.net/wp-content/uploads/2011/11/Videorative04-copy-2-640x386.jpg" alt="" width="640" height="386" /></a></p>
<blockquote><p>What is a truly realistic portrait? This question inspired a project about going beyond physical appearances and attempting to render the interior world of a human being, through memories, emotions, relationships and personal story.</p></blockquote>
<p>These are the questions that concern Sergio Albiac, which he attempts to answer in his latest project &#8220;Videorative Portrait of Randall Okita&#8221;. A progression from &#8220;Content is Queen: a generative video painting&#8221;, like it&#8217;s predecessor, it paints a Videorative portrait (a generative, narrative and interactive video portrait). The software starts with collecting personal videos of the person portrayed, tagged by him/her with relevant concepts and descriptions. Then, using the Processing application, the user &#8220;paints with meanings&#8221; and generates a video portrait, subtitled with generative personal narratives.</p><p><a href="http://www.creativeapplications.net/processing/videorative-portrait-of-randall-okita-processing/?utm_source=feed&utm_campaign=rss-mo-more&utm_medium=rss">Continue reading.... Videorative Portrait of Randall Okita [Processing]</a></p>]]></content:encoded>
			<wfw:commentRss>http://www.creativeapplications.net/processing/videorative-portrait-of-randall-okita-processing/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
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		<item>
		<title>Baroque.me [Javascript, Sound]</title>
		<link>http://www.creativeapplications.net/sound/baroque-me-javascript/</link>
		<comments>http://www.creativeapplications.net/sound/baroque-me-javascript/#comments</comments>
		<pubDate>Thu, 27 Oct 2011 14:16:22 +0000</pubDate>
		<dc:creator>Filip</dc:creator>
				<category><![CDATA[Javascript]]></category>
		<category><![CDATA[Sound]]></category>
		<category><![CDATA[Alexander Chen]]></category>
		<category><![CDATA[bach]]></category>
		<category><![CDATA[canvas]]></category>
		<category><![CDATA[eyebeam]]></category>
		<category><![CDATA[html5]]></category>
		<category><![CDATA[javascript]]></category>
		<category><![CDATA[music]]></category>
		<category><![CDATA[soundmanager]]></category>
		<category><![CDATA[visualization]]></category>

		<guid isPermaLink="false">http://www.creativeapplications.net/?p=19867</guid>
		<description><![CDATA[Baroque.me by Alexander Chen visualizes the first Prelude from Bach’s Cello Suites by drawing notes as strings. Instead of a stream of classical notation on a page, this interactive project highlights the music’s underlying structure and subtle shifts. I created eight strings, as the Prelude’s natural phrasing is in groups of eight notes. The orbiting nodes pluck the strings, like a [...]]]></description>
			<content:encoded><![CDATA[<p><a href="http://www.creativeapplications.net/wp-content/uploads/2011/10/Baroque.me01.png"><img class="size-large wp-image-19875 alignnone" title="Baroque.me01" src="http://www.creativeapplications.net/wp-content/uploads/2011/10/Baroque.me01-640x359.png" alt="" width="640" height="359" /></a></p>
<p>Baroque.me by Alexander Chen visualizes the first Prelude from Bach’s Cello Suites by drawing notes as strings. Instead of a stream of classical notation on a page, this interactive project highlights the music’s underlying structure and subtle shifts.</p>
<blockquote><p>I created eight strings, as the Prelude’s natural phrasing is in groups of eight notes. The orbiting nodes pluck the strings, like a rotating music box. The user can also grab and throw the nodes off track, and watch the system slowly regain its rhythm. A harp is built around string length, with strings shortening as they ascend in pitch. This piece behaves like an impossible harp, as strings morph to the needed lengths. The looping, eight-note pattern is something we see all the time in grid-based drum sequencers. Bach’s Prelude is actually very grid-like as well. At every moment, the piece shows a visual snapshot of an arpeggio. It shows which notes change from bar to bar, and which stay the same.</p></blockquote><p><a href="http://www.creativeapplications.net/sound/baroque-me-javascript/?utm_source=feed&utm_campaign=rss-mo-more&utm_medium=rss">Continue reading.... Baroque.me [Javascript, Sound]</a></p>]]></content:encoded>
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		<slash:comments>1</slash:comments>
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		<item>
		<title>T(ether) [Cinder]</title>
		<link>http://www.creativeapplications.net/cinder/tether-cinder/</link>
		<comments>http://www.creativeapplications.net/cinder/tether-cinder/#comments</comments>
		<pubDate>Thu, 20 Oct 2011 12:26:37 +0000</pubDate>
		<dc:creator>Filip</dc:creator>
				<category><![CDATA[cinder]]></category>
		<category><![CDATA[data]]></category>
		<category><![CDATA[mit]]></category>
		<category><![CDATA[motion capture]]></category>
		<category><![CDATA[nodejs]]></category>
		<category><![CDATA[objc]]></category>
		<category><![CDATA[screen]]></category>
		<category><![CDATA[vicon]]></category>
		<category><![CDATA[visualization]]></category>
		<category><![CDATA[window]]></category>

		<guid isPermaLink="false">http://www.creativeapplications.net/?p=19753</guid>
		<description><![CDATA[T(ether) is a novel spatially aware display that supports intuitive interaction with volumetric data. Created by  Matthew Blackshaw (@mblackshaw), Dávid Lakatos (@dogichow), Hiroshi Ishii and Ken Perlin, the display acts as a window offering users a perspective view of three- dimensional data through tracking of head position and orientation. Virtual objects can be created and manipulated through gestures made using the hand. [...]]]></description>
			<content:encoded><![CDATA[<p><a href="http://www.creativeapplications.net/wp-content/uploads/2011/10/Tether01.jpg"><img class="alignnone size-large wp-image-19759" title="T(ether)01" src="http://www.creativeapplications.net/wp-content/uploads/2011/10/Tether01-640x403.jpg" alt="" width="640" height="403" /></a></p>
<p><em>T(ether) is a novel spatially aware display that supports intuitive interaction with volumetric data.</em></p>
<p>Created by  <a href="http://twitter.com/mblackshaw">Matthew Blackshaw (@mblackshaw)</a>, <a href="http://lakatosdavid.hu/">Dávid Lakatos</a> <a href="http://twitter.com/dogichow">(@dogichow)</a>, <a href="http://web.media.mit.edu/~ishii/">Hiroshi Ishii</a> and <a href="http://cs.nyu.edu/~perlin/">Ken Perlin</a>, the display acts as a window offering users a perspective view of three- dimensional data through tracking of head position and orientation. Virtual objects can be created and manipulated through gestures made using the hand. Likewise, multiple people can edit the same virtual environment.</p>
<blockquote><p>T(ether) creates a 1:1 mapping between real and virtual coordinate space allowing immersive exploration of the joint domain. Our system creates a shared workspace in which co-located or remote users can collaborate in both the real and virtual worlds. The system allows input through capacitive touch on the display and a motion-tracked glove. When placed behind the display, the user’s hand extends into the virtual world, enabling the user to interact with objects directly.</p></blockquote>
<p><a href="http://www.creativeapplications.net/wp-content/uploads/2011/10/Tether03.jpg"><img class="alignnone size-large wp-image-19757" title="T(ether)03" src="http://www.creativeapplications.net/wp-content/uploads/2011/10/Tether03-640x520.jpg" alt="" width="640" height="520" /></a></p><p><a href="http://www.creativeapplications.net/cinder/tether-cinder/?utm_source=feed&utm_campaign=rss-mo-more&utm_medium=rss">Continue reading.... T(ether) [Cinder]</a></p>]]></content:encoded>
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		<slash:comments>4</slash:comments>
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		<item>
		<title>Circle of Trust [Javascript]</title>
		<link>http://www.creativeapplications.net/javascript-2/circle-of-trust-javascript/</link>
		<comments>http://www.creativeapplications.net/javascript-2/circle-of-trust-javascript/#comments</comments>
		<pubDate>Wed, 12 Oct 2011 10:14:46 +0000</pubDate>
		<dc:creator>Filip</dc:creator>
				<category><![CDATA[Javascript]]></category>
		<category><![CDATA[api]]></category>
		<category><![CDATA[diagram]]></category>
		<category><![CDATA[google plus]]></category>
		<category><![CDATA[html5]]></category>
		<category><![CDATA[javascript]]></category>
		<category><![CDATA[social]]></category>
		<category><![CDATA[visualization]]></category>

		<guid isPermaLink="false">http://www.creativeapplications.net/?p=19651</guid>
		<description><![CDATA[Created by D3, digital production company based in Sao Paolo, &#8216;Circle of Trust&#8217; shows your asymmetric relationship network at Google Plus. Is there a way to visualize how each person is using and constructing this social environment? The team wanted want to create a good real example of how the brand new Google+ API could be used. The project [...]]]></description>
			<content:encoded><![CDATA[<p><a href="http://www.creativeapplications.net/wp-content/uploads/2011/10/circleoftrust01.jpg"><img title="circleoftrust01" src="http://www.creativeapplications.net/wp-content/uploads/2011/10/circleoftrust01-640x320.jpg" alt="" width="640" height="320" /></a></p>
<p>Created by D3, digital production company based in Sao Paolo, &#8216;Circle of Trust&#8217; shows your asymmetric relationship network at Google Plus.</p>
<blockquote><p>Is there a way to visualize how each person is using and constructing this social environment?</p></blockquote>
<p>The team wanted want to create a good real example of how the brand new Google+ API could be used. The project was inspired by Jack Byrnes, character of the movie Meet the Parents. Interpreting Jack’s theory, the team made a simple algorithm to visualize who are the people that are inside your circle of trust and who are the people out. In the visualizations the green are the people you have circled and they have circled you back, yellow is for people that you cared to circle but they didn’t, and red is for people that have circled you but you didn’t care to circle back.</p>
<p><a href="http://www.creativeapplications.net/wp-content/uploads/2011/10/google+_large.jpg"><img title="google+_large" src="http://www.creativeapplications.net/wp-content/uploads/2011/10/google+_large-640x614.jpg" alt="" width="640" height="614" /></a><br /><p><a href="http://www.creativeapplications.net/javascript-2/circle-of-trust-javascript/?utm_source=feed&utm_campaign=rss-mo-more&utm_medium=rss">Continue reading.... Circle of Trust [Javascript]</a></p>]]></content:encoded>
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		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Kulbuto [Quarz Composer, Sound]</title>
		<link>http://www.creativeapplications.net/sound/kulbuto-quarz-composer-sound/</link>
		<comments>http://www.creativeapplications.net/sound/kulbuto-quarz-composer-sound/#comments</comments>
		<pubDate>Tue, 27 Sep 2011 19:58:36 +0000</pubDate>
		<dc:creator>Filip</dc:creator>
				<category><![CDATA[Quarz Composer]]></category>
		<category><![CDATA[Sound]]></category>
		<category><![CDATA[ableton]]></category>
		<category><![CDATA[Émile Sacré]]></category>
		<category><![CDATA[installation]]></category>
		<category><![CDATA[midi]]></category>
		<category><![CDATA[music]]></category>
		<category><![CDATA[quarz composer]]></category>
		<category><![CDATA[visualization]]></category>

		<guid isPermaLink="false">http://www.creativeapplications.net/?p=19360</guid>
		<description><![CDATA[Created by Émile Sacré, Kulbuto is an installation and an instrument, exploring possibilities of non-uniform compositions by both visualising what is being created and using the visual content as the driving force behind the rhythmic cycles. The formal outcome of Kulbuto is based on principles of changing rates, determined by graphic collisions at speeds. We are facing [...]]]></description>
			<content:encoded><![CDATA[<p><a href="http://www.creativeapplications.net/wp-content/uploads/2011/09/kulbuto01.jpg"><img class="alignnone size-large wp-image-19370" title="kulbuto01" src="http://www.creativeapplications.net/wp-content/uploads/2011/09/kulbuto01-640x426.jpg" alt="" width="640" height="426" /></a></p>
<p>Created by Émile Sacré, <em>Kulbuto</em> is an installation and an instrument, exploring possibilities of non-uniform compositions by both visualising what is being created and using the visual content as the driving force behind the rhythmic cycles.</p>
<p><em>The formal outcome of Kulbuto is based on principles of changing rates, determined by graphic collisions at speeds. We are facing environment created by tensions, where some variations of unstable rhythmic cycles are synchronized and de-synchronized in time. The composition appears &#8220;wobbly&#8221; which varies across different types of sequencing. In a way, we can say that this device is the opposite of the principle of arpeggiator, controller and tool rack of from the rhythmic point of view.</em></p>
<p><a href="http://www.creativeapplications.net/wp-content/uploads/2011/09/kulbuto02.jpg"><img class="alignnone size-large wp-image-19369" title="kulbuto02" src="http://www.creativeapplications.net/wp-content/uploads/2011/09/kulbuto02-640x640.jpg" alt="" width="640" height="640" /></a></p><p><a href="http://www.creativeapplications.net/sound/kulbuto-quarz-composer-sound/?utm_source=feed&utm_campaign=rss-mo-more&utm_medium=rss">Continue reading.... Kulbuto [Quarz Composer, Sound]</a></p>]]></content:encoded>
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		<slash:comments>2</slash:comments>
		</item>
		<item>
		<title>Handwritten Invoice [Python, Nodebox]</title>
		<link>http://www.creativeapplications.net/other/handwritten-invoice-python-nodebox/</link>
		<comments>http://www.creativeapplications.net/other/handwritten-invoice-python-nodebox/#comments</comments>
		<pubDate>Thu, 22 Sep 2011 13:13:35 +0000</pubDate>
		<dc:creator>Filip</dc:creator>
				<category><![CDATA[Other]]></category>
		<category><![CDATA[generative]]></category>
		<category><![CDATA[letters]]></category>
		<category><![CDATA[Matthias Dörfelt]]></category>
		<category><![CDATA[mokafolio]]></category>
		<category><![CDATA[nodebox]]></category>
		<category><![CDATA[paper]]></category>
		<category><![CDATA[print]]></category>
		<category><![CDATA[visualization]]></category>

		<guid isPermaLink="false">http://www.creativeapplications.net/?p=19299</guid>
		<description><![CDATA[Created by Matthias Dörfelt, Handwritten Invoice is a response to the mundane task of writing invoices, replaced by computer generated visualisation of moneys owed as well as a handwritten typeface. After I set down and started working on my first invoice design using a template file of apples famous text processing software pages I quickly felt very bored. I [...]]]></description>
			<content:encoded><![CDATA[<p><a href="http://www.creativeapplications.net/wp-content/uploads/2011/09/handwritteninvoice00.jpg"><img class="alignnone size-large wp-image-19304" title="handwritteninvoice00" src="http://www.creativeapplications.net/wp-content/uploads/2011/09/handwritteninvoice00-640x426.jpg" alt="" width="640" height="426" /></a></p>
<p>Created by Matthias Dörfelt, <em>Handwritten Invoice</em> is a response to the mundane task of writing invoices, replaced by computer generated visualisation of moneys owed as well as a handwritten typeface.</p>
<p><em>After I set down and started working on my first invoice design using a template file of apples famous text processing software pages I quickly felt very bored. I asked myself how I could create something that rather fits the rest of my work and that does not look like any other vanilla invoice paper. I thought that something more personal would be great which does not look like a computer written document. Everybody likes handwritten letters. Their individuality gets rarer and rarer in the digitialized world and thus I decided I want handwritten invoices<p><a href="http://www.creativeapplications.net/other/handwritten-invoice-python-nodebox/?utm_source=feed&utm_campaign=rss-mo-more&utm_medium=rss">Continue reading.... Handwritten Invoice [Python, Nodebox]</a></p>]]></content:encoded>
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		<title>Mediated Cityscapes 03: DIY Cartography [Theory]</title>
		<link>http://www.creativeapplications.net/theory/mediated-cityscapes-03-diy-cartography-theory/</link>
		<comments>http://www.creativeapplications.net/theory/mediated-cityscapes-03-diy-cartography-theory/#comments</comments>
		<pubDate>Tue, 02 Aug 2011 10:45:49 +0000</pubDate>
		<dc:creator>Greg J. Smith</dc:creator>
				<category><![CDATA[Theory]]></category>
		<category><![CDATA[cartography]]></category>
		<category><![CDATA[data]]></category>
		<category><![CDATA[Greg J. Smith]]></category>
		<category><![CDATA[infoviz]]></category>
		<category><![CDATA[location]]></category>
		<category><![CDATA[mapping]]></category>
		<category><![CDATA[Mediated Cityscapes]]></category>
		<category><![CDATA[urban]]></category>
		<category><![CDATA[visualization]]></category>

		<guid isPermaLink="false">http://www.creativeapplications.net/?p=18185</guid>
		<description><![CDATA[[Eric Fischer / Locals and Tourists #45 (GTWA #133): Los Angeles and Pasadena / 2010] A month ago in Minneapolis, nestled amidst the brilliant programming of the inaugural Eyeo Festival, Mark Hansen organized a panel on data visualization and social justice that brought veteran designers Laura Kurgan, Michael Migurski and Lisa Strausfeld together to discuss [...]]]></description>
			<content:encoded><![CDATA[<p><a href="http://www.creativeapplications.net/wp-content/uploads/2011/08/locals-tourists-los-angeles.png"><img class="alignnone size-large wp-image-18221" title="locals-tourists-los-angelessmaller" src="http://www.creativeapplications.net/wp-content/uploads/2011/08/locals-tourists-los-angelessmaller-640x432.png" alt="" width="640" height="432" /></a></p>
<p>[Eric Fischer /<em> <a href="http://www.flickr.com/photos/walkingsf/4672078990/in/set-72157624209158632/">Locals and Tourists #45 (GTWA #133): Los Angeles and Pasadena</a></em> / 2010]</p>
<p>A month ago in Minneapolis, nestled amidst the brilliant programming of the inaugural <a href="http://eyeofestival.com/">Eyeo Festival</a>, <a href="http://www.stat.ucla.edu/~cocteau/">Mark Hansen</a> organized a panel on data visualization and social justice that brought veteran designers <a href="http://www.spatialinformationdesignlab.org/people.php?id=10">Laura Kurgan</a>, <a href="http://mike.teczno.com/">Michael Migurski</a> and <a href="http://en.wikipedia.org/wiki/Lisa_Strausfeld">Lisa Strausfeld</a> together to discuss visual communication, representation and agency. The conversation that ensued was extremely provocative and challenged many of the basic assumptions underlying data visualization&#8217;s capacity as a polemical or exploratory medium. This critical engagement was perhaps best summarized by Kurgan when she reminded her fellow panelists and the audience that it is dangerous to confuse data with knowledge. Later, Migurski described his optimism in thinking about &#8220;people as pixels&#8221; within these representational systems whereby designers have the opportunity to highlight spatial inconsistencies and (ideally) engender engagement and civic action. Migurski summarized this question of responsibility in a <a href="http://mike.teczno.com/notes/seeing-like-a-state-lying-with-pictures.html">blog post</a> in advance of the session as &#8220;do we reveal new things about society by viewing data, or do we bend society into new forms by choosing data that can be viewed?&#8221; This introspection was timely, not only within the milieu of a creative coding summit, but as a reminder of the far-reaching implications of the visual representation of urban space.(1)</p><p><a href="http://www.creativeapplications.net/theory/mediated-cityscapes-03-diy-cartography-theory/?utm_source=feed&utm_campaign=rss-mo-more&utm_medium=rss">Continue reading.... Mediated Cityscapes 03: DIY Cartography [Theory]</a></p>]]></content:encoded>
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