Since the first movie musical back in 1927, film audiences have delighted in seeing bodies in motion on the big screen. Movements etched into our minds. Scenes like Liza Minelli’s cabaret performance with a chair, Gene Kelly swinging joyously in the rain, the iconic lift scene in Dirty Dancing. These historic moments are now accessible…
Created by Kachi Chan, ‘Sisyphus’ is an installation featuring two robots engaged in endless cyclic interaction. Smaller robots build brick arches, whilst a giant robot pushes them down – propelling a narrative of construction and deconstruction.
Created by Lingdong Huang at the Future Sketches Group (MIT Media Lab), “Semi-Realistic Rotary Experiences” is a set of experiments exploring augmentation of real life physical gestures of rotating things.
Join a tight knit, passionate team of professionals who left their roles at agencies, corporations, and institutions to tackle challenging and meaningful problems together.
Join a tight knit, passionate team of professionals who left their roles at agencies, corporations, and institutions to tackle challenging and meaningful problems together.
Join a tight knit, passionate team of professionals who left their roles at agencies, corporations, and institutions to tackle challenging and meaningful problems together.
Since the first movie musical back in 1927, film audiences have delighted in seeing bodies in motion on the big screen. Movements etched into our minds. Scenes like Liza Minelli’s cabaret performance with a chair, Gene Kelly swinging joyously in the rain, the iconic lift scene in Dirty Dancing. These historic moments are now accessible…
Created by Kachi Chan, ‘Sisyphus’ is an installation featuring two robots engaged in endless cyclic interaction. Smaller robots build brick arches, whilst a giant robot pushes them down – propelling a narrative of construction and deconstruction.
Created by Lingdong Huang at the Future Sketches Group (MIT Media Lab), “Semi-Realistic Rotary Experiences” is a set of experiments exploring augmentation of real life physical gestures of rotating things.
Join a tight knit, passionate team of professionals who left their roles at agencies, corporations, and institutions to tackle challenging and meaningful problems together.
Join a tight knit, passionate team of professionals who left their roles at agencies, corporations, and institutions to tackle challenging and meaningful problems together.
Join a tight knit, passionate team of professionals who left their roles at agencies, corporations, and institutions to tackle challenging and meaningful problems together.
Join us and access more than 3,500 projects from thousands of cross-disciplinary artists working with technology.
Since 2008, CAN has been at the forefront of innovation – facilitating and driving the conversations about technology, society and critical making. From online/offline publications to live events, CAN’s initiatives have played an instrumental in shaping the innovative creative practices we know today.
