Personal Computers – Filip Kostic

In Personal Computers, Los Angeles based artist Filip Kostic compiles found images collected over the past 9 years that trace the history of custom computer building and modification.

01/12/2023
A Short Incomplete History of Technologies That Scale

The word scale is tricky. It invites many definitions, orientations and connections to ourselves, our surroundings and our tools. However, to think of scale as solely technical is reductive and omits the relations, feelings and beliefs that come with such measurements and images. In this book, eight authors come together to challenge our conventions and understanding of scale as grounded in the human.

01/12/2023
Software for Artists Book: In Poetic Coalition

This publication is a coalition — it brings together experiences of combined action. With a focus on labor organizing within the arts and tech industries, In Poetic Coalition explores the potential of creating alternative networks of education and challenging the material conditions that prevent us from enacting new realities with dignity and security.

01/12/2023
Controlled Uncontrollables: SAD and the Bubble Printer

Developed in the context of Human 2 Objects project, the main concept was to reflect the human capacity to transform natural elements and to use the human body and its spatiality as an input for interactivity. As a result, the exhibition Controlled Uncontrollables is composed of two sculptural installations in a delicate interplay of art and technology.

27/10/2023
Animas – Music co-creation with AI

Anima is an interactive installation that facilitates a musical jam session between humans and machines. Operating much like a sequencer, Anima uses open-source AI algorithms to generate musical sequences.

06/03/2023

Created by Julia Vollmer at HFK Bremen, The Crochet Protocol explores the interaction between crocheting, code, the wearer and the control through a machine.

Systems Ultra explores how we experience complex systems: the mesh of things, people, and ideas interacting to produce their own patterns and behaviours.

The publication {class} – On Consequences in Algorithmic Classification brings together different perspectives on computational classification and its impact on society.

A book visually examining the twentieth-century emergence of new methods for representation, simulation, and manufacturing linked to computers, and reflecting on their contemporary repercussions across creative fields.

In Personal Computers, Los Angeles based artist Filip Kostic compiles found images collected over the past 9 years that trace the history of custom computer building and modification.

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The word scale is tricky. It invites many definitions, orientations and connections to ourselves, our surroundings and our tools. However, to think of scale as solely technical is reductive and omits the relations, feelings and beliefs that come with such measurements and images. In this book, eight authors come together to challenge our conventions and understanding of scale as grounded in the human.

Category:
Tags: / / /

This publication is a coalition — it brings together experiences of combined action. With a focus on labor organizing within the arts and tech industries, In Poetic Coalition explores the potential of creating alternative networks of education and challenging the material conditions that prevent us from enacting new realities with dignity and security.

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Wavescape for Walla creates an ocean by collecting waves that were captured between channels on a radio. It celebrates the auditory and tactile memories of radios as disappearing devices.

Developed in the context of Human 2 Objects project, the main concept was to reflect the human capacity to transform natural elements and to use the human body and its spatiality as an input for interactivity. As a result, the exhibition Controlled Uncontrollables is composed of two sculptural installations in a delicate interplay of art and technology.

We are moving to Discord – Join us!

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Cold Call: Time Theft as Avoided Emissions is an unconventional carbon offsetting scheme that draws on strategies of worker sabotage and applies them in the context of high emission companies in the fossil fuel industry.

Paragraphica is a camera that utilizes location data and AI to visualize a “photo” of a specific place and moment. The camera exists both as a physical prototype and an online camera that you can try.

Serena Cangiano reviews “Perfect Behaviours – life redesigned by the algorithm” curated by Giorgio Olivero and on show in Turin, Italy’s OGR Officine Grandi Riparazioni.

Sun Thinking is an online group show that brings together artists and writers to explore some of the themes and questions central to the Solar Protocol.

Anima is an interactive installation that facilitates a musical jam session between humans and machines. Operating much like a sequencer, Anima uses open-source AI algorithms to generate musical sequences.

Plastic Sarira is a web-based media art project that presents a virtual ecosystem in which computer-programmed life forms and 3D-scanned plastic marine debris coexist in symbiosis.

Algae Chorus is a sound installation that collaborates with living algae, in real time, transforming their movement and photosynthesis process into sounds. The algae utilize the audience’s collective carbon exhalations within the exhibition space, revealing the mutual dependencies between humans and photosynthetic organisms.

The Creative Computing Institute will host an international line-up of established speakers from University of Tokyo, Imperial College London and UAL.

Imagined as a tool to provide assistance to a conventional approach to sculpting, here an AI model is developed to seek out strategies that provide a constant improvement to how a given form is achieved. By feeding it with different tools, rules and rewards through reinforcement learning, the team steer the process revealing unpredictable outcomes.

Explore artworks from the future talent of industry, view works of postgraduate students from the Creative Computing Institute.

In “Voyage”, we travel through Southeast Asia, exploring its flora and fauna through watercolours selected from the National Museum of Singapore’s William Farquhar Collection of Natural History Drawings.

Drawing on more than a decade of research, award‑winning scholar Kate Crawford reveals how AI is a technology of extraction: from the minerals drawn from the earth to the labor pulled from low-wage information workers to the data taken from every action and expression.

Between October 6th and 9th 2022, the 11th edition of the Patchlab Digital Art Festival will be held in Krakow.

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