Partnering with CAN

Shaping cultural and technological narratives, together! For the last 15 years, CreativeApplications.Net (CAN) has been at the forefront of innovation—facilitating and driving the conversations about technology, society and critical making. The ‘wide angle’ view of the landscape CAN takes draws an international audience of thoughtful and engaged educators, instigators, entrepreneurs, curators, connectors, writers, and researchers.…

25/10/2023
Silk Pavilion II – Mediated Matter Group at the MoMA

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29/06/2020
Bridging to Physical – 3 Projects by Lara Defayes

Created by Lara Defayes at ECAL, UV Map, Vanishing Shades and FOMO Survival Kit are a series of project produced during her studies at the art and design school in Lausanne, Switzerland. All three projects, and others that can be viewed on her website, explore the contradictions and opportunities of digital in physical.

11/10/2016
Deep Web – Christopher Bauder and Robert Henke’s “super-structure” premieres at CTM 2016

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02/02/2016
Bookmarks and Milestones: An Annual Report (of Sorts)

By publishing (and many other) standards, HOLO just took its first steps. Yet nine months after the magazine’s launch, we look back and can’t believe how far we’ve come. What happened? Here’s a stocktaking, a travelogue, and a teaser.   The middle of December is a somewhat special time for us. Two years ago this past Monday, the…

19/12/2014
Superposition—5.84 Quintillion Facets of the Digital Sublime

This past Saturday Ryoji Ikeda presented the North American premiere of superposition to a crowd of several hundred at the Musée d’art Contemporain de Montréal (MAC). As would be expected, the sixty-five minute multiscreen performance played out as kind of a data aesthetics megamix that flashed through a series of precisely choreographed abstract visual vignettes that grappled with the digital sublime and pondered the agnosticism of network culture.

16/10/2014
Kinetica Art Fair

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26/02/2013
Unpacking the CineChamber – Naut Humon on Nomadic AV Performance

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02/08/2012
An Interview with Bowyer – UIDesign + Funware + Luxury [Theory, iPad, Interview]

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27/01/2012
Drawing Water [Cinder]

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04/05/2011
Data Event 46.0 [Events]

Together with Chris Sugrue and Niklas Roy I will be speaking at next month’s Data Event #46.0. The Dublin Art and Technology Association (DATA) is a Dublin gathering of artists, musicians, technologists, and academia with the intention of promoting, exploring, discussing, and exhibiting art and technology in Ireland and the world. Supported by The Science Gallery.…

14/01/2011
Eyeo Festival [Events]

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13/01/2011
150 Promocodes! [iPhone, iPad, Giveaway]

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04/10/2010
Visualizing Pressible [Processing]

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19/07/2010
GLI.TC/H [Events]

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14/07/2010
LastHistory [Mac]

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16/03/2010
Colorendar [iPhone]

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10/03/2010
Noby Noby Boy [iPhone]

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18/02/2010
IsoWords [iPhone, Games]

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19/12/2009
Helvetical [Scripts, WebApp]

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05/09/2009
FlipTime [iPhone]

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04/09/2009

The Lego calendar is a wall mounted time planner made entirely of Lego, but if you take a photo of it with a smartphone, and thanks to openFrameworks and openCV all of the events and timings are synchronised to an online, digital calendar.

Shaping cultural and technological narratives, together! For the last 15 years, CreativeApplications.Net (CAN) has been at the forefront of innovation—facilitating and driving the conversations about technology, society and critical making. The ‘wide angle’ view of the landscape CAN takes draws an international audience of thoughtful and engaged educators, instigators, entrepreneurs, curators, connectors, writers, and researchers.…

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Surrogate is a body of work centred around issues of reproductive technology and bodily autonomy comprised of a series of physical and performative inputs and outputs to engage and provoke conversations about the topic.

Asia Culture Center (ACC) is seeking participants for ACC Residency 2023.This year, the residency will be held in collaboration with ACC Sound Art Lab under the theme “Futures of Listening” which is also a long-term project led by ACC Sound Art Lab.

Created by Michael Candy, ‘Cryptid’ is an animatronic light sculpture that uses 18 linear actuators and open source Phoenix hexapod code to walk through a space. As human and robotic, natural and synthetic are increasingly amalgamated, the projects questions whether machines could be considered a subspecies.

CURRENTS New Media, Santa Fe’s annual art and technology festival, is back this summer with a hybrid exhibition of online and in-person work June 18th – 27th, 2021.

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SFPC tutor Celine Wong Katzman reflects on yet another successful session at the artist run school in New York.

A review, photos, and selection of highlights from the abundant offerings of the 4th edition of the International Digital Art Biennial (BIAN) in Montreal.

Machine Art in the Twentieth Century is a recent MIT Press-published book by Andreas Broeckmann exploring ‘machinic’ art-making. CAN weighs in with a review of this survey of moments, movements, and key figures spanning futurism to the present day.

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Created by Lara Defayes at ECAL, UV Map, Vanishing Shades and FOMO Survival Kit are a series of project produced during her studies at the art and design school in Lausanne, Switzerland. All three projects, and others that can be viewed on her website, explore the contradictions and opportunities of digital in physical.

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Created by DUB-Russell (Music) and Yasuyuki Yoshida (Visuals) and produced BRDG Tokyo, BOSOZOKU is music video that combines beats and grains of sound texture created with Max/MSP and cut and paste generative video assemblage using TouchDesigner.

By publishing (and many other) standards, HOLO just took its first steps. Yet nine months after the magazine’s launch, we look back and can’t believe how far we’ve come. What happened? Here’s a stocktaking, a travelogue, and a teaser.   The middle of December is a somewhat special time for us. Two years ago this past Monday, the…

Category: HOLO
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This past Saturday Ryoji Ikeda presented the North American premiere of superposition to a crowd of several hundred at the Musée d’art Contemporain de Montréal (MAC). As would be expected, the sixty-five minute multiscreen performance played out as kind of a data aesthetics megamix that flashed through a series of precisely choreographed abstract visual vignettes that grappled with the digital sublime and pondered the agnosticism of network culture.

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Category: iOS / Members / Theory
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Together with Chris Sugrue and Niklas Roy I will be speaking at next month’s Data Event #46.0. The Dublin Art and Technology Association (DATA) is a Dublin gathering of artists, musicians, technologists, and academia with the intention of promoting, exploring, discussing, and exhibiting art and technology in Ireland and the world. Supported by The Science Gallery.…

Sorry, this is Members Only content. Please Log-in. Join us today by becoming a Member. • Archive: Access thousands of projects, scores of essays, interviews and reviews.• Publish: Post your projects, events, announcements.• Discuss: Join our Discord for events, open calls and even more projects.• Education: Tutorials (beginners and advanced) with code examples and downloads.•…

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Category: iOS / Members
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Category: Events / Members
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Category: iOS / Members
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