/Review (43)


















Serena Cangiano reviews “Perfect Behaviours – life redesigned by the algorithm” curated by Giorgio Olivero and on show in Turin, Italy’s OGR Officine Grandi Riparazioni.
16/05/2023In perceiving established cultural and historical rituals through the lens of contemporary technology, Choy Ka Fai opens up a liminal space in which dance transcends colonial resistance, power and fantasy.
09/08/2021In today’s mercurial, complex, and ambiguous world, our bodies oscillate between the virtual and the real more than ever. The world-famous collective Rhizomatiks is testing the web, presenting performances and experimental online-based systems, and approaching these situations from a variety of angles.
06/05/2021A review, photos, and selection of highlights from the abundant offerings of the 4th edition of the International Digital Art Biennial (BIAN) in Montreal.
03/08/2018Review of the exhibition last month at the Asia Culture Center in Gwangju, South Korea – a collection of 12 works questioning the essential meaning and significance of the data world.
04/04/2018“Designing the Computational Image, Imagining Computational Design” is an exhibition that excavates the foundation of computer-aided design and manufacturing and weaves together several ‘origin stories’ for contemporary consideration. The show recently closed after a seven-week run at the Miller Gallery at Carnegie Mellon University in Pittsburgh, and CAN was fortunate enough to get a guided tour with curator Daniel Cardoso Llach as it was winding down.
21/11/2017The 2017 edition of Eastern Bloc’s Sight + Sound festival put ‘capital I’ innovation in its cross-hairs and pulled the trigger. We journeyed to Montreal to its flagship exhibition and assess its spectrum of ‘non-compliant futures.’
01/11/2017‘How much should we let algorithms shape our lives?’ is the question at the heart of Ed Finn’s recent book “What Algorithms Want: Imagination in the Age of Computing”. Scanning Silicon Valley, computer science, and the cultural sphere alike it offers a smart and accessible reading of our current moment.
10/08/2017A follow-up to the influential 2012 booklet series “Critical Making,” “Disobedient Electronics: Protest” is a new zine by Vancouver-based theorist and educator Garnet Hertz that uses dissent as a lens to survey electronics-based projects and practices.
13/07/2017“Queer Games Studies” is a recent collection of thematic essays published by the University of Minnesota Press that schematizes LGBTQ approachs to thinking about – and making – videogames.
06/06/2017Showcasing three film collaborations by Liam Young and Tim Maughan, “New Romance: Love Stories from the Machine City” is an exhibition currently showing at the Arthur Ross Architecture Gallery (Columbia GSAPP) about finding respite and cultivating resistance in the smart city.
15/05/2017Machine Art in the Twentieth Century is a recent MIT Press-published book by Andreas Broeckmann exploring ‘machinic’ art-making. CAN weighs in with a review of this survey of moments, movements, and key figures spanning futurism to the present day.
28/03/2017“Evidentiary Realism” is an exhibition that delves into the aesthetics of sites of inaccessibility, incarceration, and intrigue. CAN’s NYC correspondent Dylan Schenker ponders the Paolo Cirio-curated show, which emerges from the collaboration of NOME and the Fridman Gallery.
16/03/2017An output of the Office for Creative Research, OCR Journal #002 documents the process and philosophy of the Brooklyn-based studio specializing in complex data-informed projects.
09/12/2016CAN reviews “Digital Design Theory,” a recent Princeton Architectural Press text compiling writing from over five decades of thought on computation and design.
26/08/2016CAN contributor Dylan Schenker considers AUTOMATA (“art made by machines for machines”) and the uneasy relation between human and machine aesthetics at the third edition of Montreal’s BIAN digital art biennale.
17/06/2016Taking place at Espacio Fundación Telefónica in Lima between 17 March – 19 June, New Realities is a touring exhibition curated and produced by Alpha-ville which explores how the phenomenal pace of technological advancement is changing the way we perceive ourselves and our world.
14/06/2016CAN’s report on Sónar+D, the Sónar Festival’s sidebar congress on ‘creativity, technology & business’ that took place June 18th-20th in Barcelona.
29/06/2015An interactive (and immersive) documentary on code and creativity, Jonathan Minard and James George’s CLOUDS is an ambitious project that is several years in the making. CAN donned an Oculus Rift DK2, explored its landscape and has weighed-in with a review.
03/06/2015CentrePasquArt’s super-group show Short Cuts invites viewers to trace ideas, influences, and positions across five decades of work by merely taking a few steps.
01/06/2015The sixteenth edition of Montréal’s ELEKTRA festival took place from May 13th-17th and delivered a range of audiovisual performances and installations addressing the notion of ‘post-audio’ or perception beyond sound—CAN was on hand to have our retinas singed and eardrums buzzed by the ‘POST-AUDIO’-themed programming.
26/05/2015This past December a dozen artists, activists, and researchers converged at the STUDIO for Creative Inquiry for a book sprint. Led by Addie Wagenknecht, the all-women cadre convened under the collective moniker Deep Lab, and examined how privacy, security, surveillance, and large-scale data aggregation are problematized in the arts, culture and society.
13/01/2015Greg J. Smith reviews Anthony Dunne & Fiona Raby’s recent ‘critical design’ treatise “Speculative Everything”.
17/03/2014AIT (“Social Hacking”), taught for the first time this semester by Lauren McCarthy and Kyle McDonald at NYU’s ITP, explored the structures and systems of social interactions, identity, and self representation as mediated by technology.
17/12/2013Landscape Futures is a recent book edited by Geoff Manaugh that unpacks the wildest intersections of landscape architecture, technology and perception. CAN interviewed Manaugh about the book last week to provide a window into this ambitious curatorial (and now editorial) project.
12/09/2013As you enter the Evil Media Distribution (EMDC) centre you’re faced with a central seating arrangement of stacked palettes. Flanking either side of the ad-hoc settee are walls festooned with clipboards, some of which have a second clipboard positioned beneath cradling a sealed baggie with objects inside…
28/06/2013A strangeness abounds when people are asked to theorize and elucidate something so untethered and rhizomatic as the Internet. At its basic structure, networks connect us to the images, data and knowledge we draw upon every day. Yet what is at the heart of these connections and what separates or integrates our In Real Life (IRL) and digital personas?
06/03/2013“The main change in the design process achieved by using generative design is that traditional craftsmanship recedes into the background, and abstraction and information become the new principal elements.”
19/12/2012Sorry, this is Members Only content. Please Log-in. Join us today by becoming a Member. Archive: More than 3,500 project profiles, scores of essays, interviews and reviews.Publish: Post your projects, events, announcements.No Ads: No advertisements, miners, banners.Education: Tutorials (beginners and advanced) with code examples, downloads.Jobs Archive: Find employers who have recruited here in the past…
06/11/2012Processing enthusiasts rejoice! There is a new book coming by Daniel Shiffman and it’s called Nature of Code. As it’s title implies this book takes phenomena that naturally occur in our physical world and shows you how to simulate them with code.
02/11/2012Serena Cangiano reviews “Perfect Behaviours – life redesigned by the algorithm” curated by Giorgio Olivero and on show in Turin, Italy’s OGR Officine Grandi Riparazioni.
Tags: algorithm / artificial intelligence / behaviour / censorship / computation / control / deep learning / digital art / emergence / exhibition / generative art / installation / interaction design / machine / media / research / simulation / software / surveillance / Uncanny Valley
In perceiving established cultural and historical rituals through the lens of contemporary technology, Choy Ka Fai opens up a liminal space in which dance transcends colonial resistance, power and fantasy.
In today’s mercurial, complex, and ambiguous world, our bodies oscillate between the virtual and the real more than ever. The world-famous collective Rhizomatiks is testing the web, presenting performances and experimental online-based systems, and approaching these situations from a variety of angles.
Tags: Daito Manabe / Elevenplay / Events / exhibition / Museum of Contemporary Art Tokyo / online / performance / review / rhizomatiks
A review, photos, and selection of highlights from the abundant offerings of the 4th edition of the International Digital Art Biennial (BIAN) in Montreal.
Tags: Adam Basanta / Addie Wagenknecht / Aleksandra Domanović / BIAN / Chikashi Miyama / Cod.Act / daniel rozin / Elektra / festival / IMDA / Manfred Mohr / MIAN / montreal / NSDOS / Ralf Baecker / review / SAT
Review of the exhibition last month at the Asia Culture Center in Gwangju, South Korea – a collection of 12 works questioning the essential meaning and significance of the data world.
Tags: ACT / ACT Festival / Asia Culture Center / Daito Manabe / data / database / Digital / Evala / Events / exhibition / featured / Gwangju / Harshit Agrawal / information / Jeon Joonho / Jonas Jongejan / Kazunao Abe / knowledge / Kyle McDonald / Lauren McCarthy / learning / making / Marko Peljhan / Matthew Biederman / Moon Kyungwon / Pierce Warnecke / privacy / review / Ryoji Suzuki / Ryuichi Sakamoto / Sang-won Leigh / Satoshi Furuya / security / Sho Miyake / south korea / technology / Tomas Saraceno / visualization
“Designing the Computational Image, Imagining Computational Design” is an exhibition that excavates the foundation of computer-aided design and manufacturing and weaves together several ‘origin stories’ for contemporary consideration. The show recently closed after a seven-week run at the Miller Gallery at Carnegie Mellon University in Pittsburgh, and CAN was fortunate enough to get a guided tour with curator Daniel Cardoso Llach as it was winding down.
Tags: Andrew Heumann / BiarBalliet / CAD / CAM / Cambridge University CAD Group / Carl Lostritto / Carnegie Mellon / Charles Eastman / Dana Cupkova / Daniel Cardoso Llach / darpa / exhibition / Generative Design / geometry / George Stiny / Golan Levin / Ivan Sutherland / Joseph Choma / Jürg Lehni / Ken Knowlton / Lillian Schwartz / Miller Gallery / mit / MIT Servomechanisms Laboratory / Paul Pagnaro / Philip Steadman / Pittsburgh / review / Scott Donaldson / Sketchpad / software / Steven A. Coons / The Computer History Museum / Zach Lieberman
The 2017 edition of Eastern Bloc’s Sight + Sound festival put ‘capital I’ innovation in its cross-hairs and pulled the trigger. We journeyed to Montreal to its flagship exhibition and assess its spectrum of ‘non-compliant futures.’
Tags: 3d printing / Aliens in Green / Audrey Samson / Daniel Rourke / Dardex / disnoavation.org / Eastern Bloc / Ernesto Oroza / exhibition / exonemo / festival / Gwenola Wagon / James Bridle / montreal / Morehshin Allahyari / never apart / Peter Moosgaard / review / sight & sound / speculative design / Stéphane Degoutin / Thomas Bégin
‘How much should we let algorithms shape our lives?’ is the question at the heart of Ed Finn’s recent book “What Algorithms Want: Imagination in the Age of Computing”. Scanning Silicon Valley, computer science, and the cultural sphere alike it offers a smart and accessible reading of our current moment.
Tags: algorithm / Bitcoin / blockchain / book / computation / Ed Flinn / facebook / featured / google / Ian Bogost / MIT Press / Netflix / Norbert Wiener / review / silicon valley / Theory / Uber
A follow-up to the influential 2012 booklet series “Critical Making,” “Disobedient Electronics: Protest” is a new zine by Vancouver-based theorist and educator Garnet Hertz that uses dissent as a lens to survey electronics-based projects and practices.
Tags: Annina Rüst / book / Camille Baumann-Jaeger / critical making / Doug Easterly / Ebru Kurbak / electronics / Garnet Hertz / Institute for Applied Autonomy / Irene Posch / Jaime Carreriro / Jen Liu / Julian Oliver / Matt Kenyon / Paola Antonelli / Pedro G.C. Olivera / politics / publishing / review / Scott Kiddall / Women on Waves / Xuedi Chen / zine
“Queer Games Studies” is a recent collection of thematic essays published by the University of Minnesota Press that schematizes LGBTQ approachs to thinking about – and making – videogames.
Tags: Adrienne Shaw / Amanda Phillips / Anna Antropy / Aubrey Gabel / Bonnie Ruberg / book / culture / Derek A. Burrill / Edmond Y. Chang / gender / Leigh Alexander / LGBTQ / Mattie Brice / media / politics / queerness / Robert Yang / Theory / Todd Harper / University of Minnesota Press / videogames
Showcasing three film collaborations by Liam Young and Tim Maughan, “New Romance: Love Stories from the Machine City” is an exhibition currently showing at the Arthur Ross Architecture Gallery (Columbia GSAPP) about finding respite and cultivating resistance in the smart city.
Tags: Arthur Ross Architecture Gallery / CGI / Columbia GSAPP / drone / exhibition / featured / film / Liam Young / lidar / politics / rendering / review / surveillance / Tim Maughan
Machine Art in the Twentieth Century is a recent MIT Press-published book by Andreas Broeckmann exploring ‘machinic’ art-making. CAN weighs in with a review of this survey of moments, movements, and key figures spanning futurism to the present day.
Tags: Andreas Broeckmann / book / David Rokeby / history / Jean Tinguely / MIT Press / MoMA / Stelarc / Tatlin / technology / Theory / Wim Delvoye
“Evidentiary Realism” is an exhibition that delves into the aesthetics of sites of inaccessibility, incarceration, and intrigue. CAN’s NYC correspondent Dylan Schenker ponders the Paolo Cirio-curated show, which emerges from the collaboration of NOME and the Fridman Gallery.
Tags: Amy Balkin / Eyal Weizman / featured / Fridman Gallery / Hans Haacke / Harun Farocki / Ingrid Burrington / James Bridle / Jan Nikolai Nelles / Josh Begley / Kirsten Stoll / Kirsten Stolle / Mark Lombardi / Navine G. Khan-Dossos / NOME / Nora Al-Badri / nyc / Paolo Cirio / representation / surveillance / Suzanne Treister / Thomas Keenan
An output of the Office for Creative Research, OCR Journal #002 documents the process and philosophy of the Brooklyn-based studio specializing in complex data-informed projects.
CAN reviews “Digital Design Theory,” a recent Princeton Architectural Press text compiling writing from over five decades of thought on computation and design.
Tags: Ben Fry / book / Casey Reas / Digital / featured / Heather Armstrong / history / Ivan Sutherland / John Maeda / Jonathan Puckey / Keetra Dean Dixon / Khoi Vin / Moniker / Muriel Cooper / Paola Antonelli / Princeton Architectural Press / Theory
CAN contributor Dylan Schenker considers AUTOMATA (“art made by machines for machines”) and the uneasy relation between human and machine aesthetics at the third edition of Montreal’s BIAN digital art biennale.
Tags: Alain Thibault / Arsenal / Ben Bogart / BIAN / Bill Vorn / Elektra / featured / festival / Lukas Trunige / Minha Yang / montreal / Nelmarie Du Preez / Orlan / Paolo Almario / Patrick Tresse / Pe Lang / review / Robatlab / SAT / Zimoun
Taking place at Espacio Fundación Telefónica in Lima between 17 March – 19 June, New Realities is a touring exhibition curated and produced by Alpha-ville which explores how the phenomenal pace of technological advancement is changing the way we perceive ourselves and our world.
Tags: Alpha-ville / Carmen Salas / Estela Oliva / Events / exhibition / guest post / Lima / review / Telefónica
CAN’s report on Sónar+D, the Sónar Festival’s sidebar congress on ‘creativity, technology & business’ that took place June 18th-20th in Barcelona.
Tags: barcelona / Emmanual Biard / festival / Joanie Lemercier / Kamil Nawratil / review / sonar / sonar+d
An interactive (and immersive) documentary on code and creativity, Jonathan Minard and James George’s CLOUDS is an ambitious project that is several years in the making. CAN donned an Oculus Rift DK2, explored its landscape and has weighed-in with a review.
Tags: clouds / documentary / featured / film / generative / interactive / james george / Jonathan Minard / narrative / oculus rift / openFrameworks / vr
CentrePasquArt’s super-group show Short Cuts invites viewers to trace ideas, influences, and positions across five decades of work by merely taking a few steps.
Tags: Andreas Gysin / Angel Duarte / Antonin Fourneau / Atsuko Tanaka / Carlos Cruz-Diez / Casey Reas / CentrePasquArt / Cod.Act / Cybernetic Serendipity / Davide Boriani / Davide Fornari / Douglas Edric Stanley / Ensemble Vortex / Esther Hunziker / ETH Zurich / F.A.T / Fabio Franchino – ToDo / featured / framed / François Morellet / Free Art and Technology (F.A.T.) Lab / Gianni Colombo / Giorgio Olivero / Giovanni Anceschi / Golan Levin / Gordan Savicic / Gramazio & Kohler / Gruppo T / Gysin & Vanetti / Hervé Huitric / Jean Dupuy / Jesús Rafael Soto / Julien Prévieux / Julio Le Parc / Jürg Lehni / Karl Gerstner / Leander Herzog / lia / Manfred Mohr / Marie-Julie Bourgeois / Martin Fröhlich / Matthew Epler / Monique Nahas / NORM / Philipp Lammer / Piero Gilardi / Piotr Kowalski / Rafaël Rozendaal / Raffaello D’Andrea / Samuel Bianchini / Selena Savic / Serena Cangiano / Short Cuts / Sidi Vanetti / switzerland / Sylvie Tissot / Synaptic Lab / Takis / The ReCode Project / Thibault Brevet / Troika / Vera Molnar / william lai / Yacoov Agam / yugo nakamura / Yvonne Weber
The sixteenth edition of Montréal’s ELEKTRA festival took place from May 13th-17th and delivered a range of audiovisual performances and installations addressing the notion of ‘post-audio’ or perception beyond sound—CAN was on hand to have our retinas singed and eardrums buzzed by the ‘POST-AUDIO’-themed programming.
Tags: Baltan Laboratories / BIAS / bitforms / Carsten Nicolai / Clinker / Cod.Act / Diamond Version / Elektra / festival / Frank Bretschneider / Gary James Joynes / IMDA / Kontejner / Martin Messier / Matthew Biederman / Maxime Damecour / Microwave / montreal / Musée d'art Contemporain de Montréal / Myriam Bleau / Olaf Bender / Paul Prudence / Pierce Warnecke / review / The Art of Failure
This past December a dozen artists, activists, and researchers converged at the STUDIO for Creative Inquiry for a book sprint. Led by Addie Wagenknecht, the all-women cadre convened under the collective moniker Deep Lab, and examined how privacy, security, surveillance, and large-scale data aggregation are problematized in the arts, culture and society.
Tags: Addie Wagenknecht / Allison Burtch / anonymity / book / Claire Evans / data / Denise Caruso / Events / film / Harlo Holmes / Ingrid Burrington / Jen Lowe / Jillian York / Kate Crawford / Lindsay Howard / Lorrie Cranor / Maddy Varner / Maral Pourkazemi / politics / privacy / review / Runa Sandvik / security / society / surveillance
Greg J. Smith reviews Anthony Dunne & Fiona Raby’s recent ‘critical design’ treatise “Speculative Everything”.
Tags: anthony dunne / book / design fiction / design future / fiona raby / rca di
AIT (“Social Hacking”), taught for the first time this semester by Lauren McCarthy and Kyle McDonald at NYU’s ITP, explored the structures and systems of social interactions, identity, and self representation as mediated by technology.
Tags: api / hacking / iPhone / itp / Kyle McDonald / Lauren McCarthy / mechanical turk / method / OpenPaths / process / social / teaching / twitter
Landscape Futures is a recent book edited by Geoff Manaugh that unpacks the wildest intersections of landscape architecture, technology and perception. CAN interviewed Manaugh about the book last week to provide a window into this ambitious curatorial (and now editorial) project.
As you enter the Evil Media Distribution (EMDC) centre you’re faced with a central seating arrangement of stacked palettes. Flanking either side of the ad-hoc settee are walls festooned with clipboards, some of which have a second clipboard positioned beneath cradling a sealed baggie with objects inside…
Tags: algorithm / device / Events / exhibition / media / media archeology / Rotterdam / The New Institute Rotterdam
A strangeness abounds when people are asked to theorize and elucidate something so untethered and rhizomatic as the Internet. At its basic structure, networks connect us to the images, data and knowledge we draw upon every day. Yet what is at the heart of these connections and what separates or integrates our In Real Life (IRL) and digital personas?
Tags: arts / arts and technology / conference / data / digital art / internet / new media art / new york / photography / surveillance / technology / theorizing the web / Theory / web
“The main change in the design process achieved by using generative design is that traditional craftsmanship recedes into the background, and abstraction and information become the new principal elements.”
Tags: archive / Benedikt Groß / book / Claudius Lazzeroni / design / generative / Hartmut Bohnacker / history / Julia Laub / Reference / review
Sorry, this is Members Only content. Please Log-in. Join us today by becoming a Member. Archive: More than 3,500 project profiles, scores of essays, interviews and reviews.Publish: Post your projects, events, announcements.No Ads: No advertisements, miners, banners.Education: Tutorials (beginners and advanced) with code examples, downloads.Jobs Archive: Find employers who have recruited here in the past…
Tags: book / Chrisopher Noessel / film / interaction design / Nathan Shedroff / review / science fiction
Processing enthusiasts rejoice! There is a new book coming by Daniel Shiffman and it’s called Nature of Code. As it’s title implies this book takes phenomena that naturally occur in our physical world and shows you how to simulate them with code.
Tags: Amnon Owed / book / code / Daniel Shiffman / learning / natural systems / nature / Processing / review / simulation