Designing the Computational Image, Imagining Computational Design – An Excavation of Digital Form

“Designing the Computational Image, Imagining Computational Design” is an exhibition that excavates the foundation of computer-aided design and manufacturing and weaves together several ‘origin stories’ for contemporary consideration. The show recently closed after a seven-week run at the Miller Gallery at Carnegie Mellon University in Pittsburgh, and CAN was fortunate enough to get a guided tour with curator Daniel Cardoso Llach as it was winding down.

21/11/2017
CLOUDS – Code, Creativity, and Immersion

An interactive (and immersive) documentary on code and creativity,  Jonathan Minard and James George’s CLOUDS is an ambitious project that is several years in the making. CAN donned an Oculus Rift DK2, explored its landscape and has weighed-in with a review.

03/06/2015
Flashing Forward at ELEKTRA 16

The sixteenth edition of Montréal’s ELEKTRA festival took place from May 13th-17th and delivered a range of audiovisual performances and installations addressing the notion of ‘post-audio’ or perception beyond sound—CAN was on hand to have our retinas singed and eardrums buzzed by the ‘POST-AUDIO’-themed programming.

26/05/2015
Deep Lab, Deep Dive – Book Sprint at the STUDIO for Creative Inquiry

This past December a dozen artists, activists, and researchers converged at the STUDIO for Creative Inquiry for a book sprint. Led by Addie Wagenknecht, the all-women cadre convened under the collective moniker Deep Lab, and examined how privacy, security, surveillance, and large-scale data aggregation are problematized in the arts, culture and society.

13/01/2015
Evil Media Distribution Centre at The New Institute in Rotterdam

As you enter the Evil Media Distribution (EMDC) centre you’re faced with a central seating arrangement of stacked palettes. Flanking either side of the ad-hoc settee are walls festooned with clipboards, some of which have a second clipboard positioned beneath cradling a sealed baggie with objects inside…

28/06/2013
Considering Virtuality: Theorizing the Web 2013

A strangeness abounds when people are asked to theorize and elucidate something so untethered and rhizomatic as the Internet. At its basic structure, networks connect us to the images, data and knowledge we draw upon every day. Yet what is at the heart of these connections and what separates or integrates our In Real Life (IRL) and digital personas?

06/03/2013
“Make It So” – A Compendium of Science Fiction Interfaces

Sorry, this is Members Only content. Please Log-in. Join us today by becoming a Member. Archive: More than 3,500 project profiles, scores of essays, interviews and reviews.Publish: Post your projects, events, announcements.No Ads: No advertisements, miners, banners.Education: Tutorials (beginners and advanced) with code examples, downloads.Jobs Archive: Find employers who have recruited here in the past…

06/11/2012
Voice Array and Last Breath by Rafeal Lozano-Hemmer

Sorry, this is Members Only content. Please Log-in. Join us today by becoming a Member. Archive: More than 3,500 project profiles, scores of essays, interviews and reviews.Publish: Post your projects, events, announcements.No Ads: No advertisements, miners, banners.Education: Tutorials (beginners and advanced) with code examples, downloads.Jobs Archive: Find employers who have recruited here in the past…

28/09/2012

In perceiving established cultural and historical rituals through the lens of contemporary technology, Choy Ka Fai opens up a liminal space in which dance transcends colonial resistance, power and fantasy.

In today’s mercurial, complex, and ambiguous world, our bodies oscillate between the virtual and the real more than ever. The world-famous collective Rhizomatiks is testing the web, presenting performances and experimental online-based systems, and approaching these situations from a variety of angles.

A review, photos, and selection of highlights from the abundant offerings of the 4th edition of the International Digital Art Biennial (BIAN) in Montreal.

“Designing the Computational Image, Imagining Computational Design” is an exhibition that excavates the foundation of computer-aided design and manufacturing and weaves together several ‘origin stories’ for contemporary consideration. The show recently closed after a seven-week run at the Miller Gallery at Carnegie Mellon University in Pittsburgh, and CAN was fortunate enough to get a guided tour with curator Daniel Cardoso Llach as it was winding down.

The 2017 edition of Eastern Bloc’s Sight + Sound festival put ‘capital I’ innovation in its cross-hairs and pulled the trigger. We journeyed to Montreal to its flagship exhibition and assess its spectrum of ‘non-compliant futures.’

‘How much should we let algorithms shape our lives?’ is the question at the heart of Ed Finn’s recent book “What Algorithms Want: Imagination in the Age of Computing”. Scanning Silicon Valley, computer science, and the cultural sphere alike it offers a smart and accessible reading of our current moment.

A follow-up to the influential 2012 booklet series “Critical Making,” “Disobedient Electronics: Protest” is a new zine by Vancouver-based theorist and educator Garnet Hertz that uses dissent as a lens to survey electronics-based projects and practices.

“Queer Games Studies” is a recent collection of thematic essays published by the University of Minnesota Press that schematizes LGBTQ approachs to thinking about – and making – videogames.

Showcasing three film collaborations by Liam Young and Tim Maughan, “New Romance: Love Stories from the Machine City” is an exhibition currently showing at the Arthur Ross Architecture Gallery (Columbia GSAPP) about finding respite and cultivating resistance in the smart city.

Machine Art in the Twentieth Century is a recent MIT Press-published book by Andreas Broeckmann exploring ‘machinic’ art-making. CAN weighs in with a review of this survey of moments, movements, and key figures spanning futurism to the present day.

“Evidentiary Realism” is an exhibition that delves into the aesthetics of sites of inaccessibility, incarceration, and intrigue. CAN’s NYC correspondent Dylan Schenker ponders the Paolo Cirio-curated show, which emerges from the collaboration of NOME and the Fridman Gallery.

An output of the Office for Creative Research, OCR Journal #002 documents the process and philosophy of the Brooklyn-based studio specializing in complex data-informed projects.

Category: Members / Review
Tags: / / / /

CAN reviews “Digital Design Theory,” a recent Princeton Architectural Press text compiling writing from over five decades of thought on computation and design.

CAN contributor Dylan Schenker considers AUTOMATA (“art made by machines for machines”) and the uneasy relation between human and machine aesthetics at the third edition of Montreal’s BIAN digital art biennale.

Taking place at Espacio Fundación Telefónica in Lima between 17 March – 19 June, New Realities is a touring exhibition curated and produced by Alpha-ville which explores how the phenomenal pace of technological advancement is changing the way we perceive ourselves and our world.

CAN’s report on Sónar+D, the Sónar Festival’s sidebar congress on ‘creativity, technology & business’ that took place June 18th-20th in Barcelona.

An interactive (and immersive) documentary on code and creativity,  Jonathan Minard and James George’s CLOUDS is an ambitious project that is several years in the making. CAN donned an Oculus Rift DK2, explored its landscape and has weighed-in with a review.

The sixteenth edition of Montréal’s ELEKTRA festival took place from May 13th-17th and delivered a range of audiovisual performances and installations addressing the notion of ‘post-audio’ or perception beyond sound—CAN was on hand to have our retinas singed and eardrums buzzed by the ‘POST-AUDIO’-themed programming.

This past December a dozen artists, activists, and researchers converged at the STUDIO for Creative Inquiry for a book sprint. Led by Addie Wagenknecht, the all-women cadre convened under the collective moniker Deep Lab, and examined how privacy, security, surveillance, and large-scale data aggregation are problematized in the arts, culture and society.

Greg J. Smith reviews Anthony Dunne & Fiona Raby’s recent ‘critical design’ treatise “Speculative Everything”.

AIT (“Social Hacking”), taught for the first time this semester by Lauren McCarthy and Kyle McDonald at NYU’s ITP, explored the structures and systems of social interactions, identity, and self representation as mediated by technology.

Landscape Futures is a recent book edited by Geoff Manaugh that unpacks the wildest intersections of landscape architecture, technology and perception. CAN interviewed Manaugh about the book last week to provide a window into this ambitious curatorial (and now editorial) project.

As you enter the Evil Media Distribution (EMDC) centre you’re faced with a central seating arrangement of stacked palettes. Flanking either side of the ad-hoc settee are walls festooned with clipboards, some of which have a second clipboard positioned beneath cradling a sealed baggie with objects inside…

A strangeness abounds when people are asked to theorize and elucidate something so untethered and rhizomatic as the Internet. At its basic structure, networks connect us to the images, data and knowledge we draw upon every day. Yet what is at the heart of these connections and what separates or integrates our In Real Life (IRL) and digital personas?

“The main change in the design process achieved by using generative design is that traditional craftsmanship recedes into the background, and abstraction and information become the new principal elements.”

Sorry, this is Members Only content. Please Log-in. Join us today by becoming a Member. Archive: More than 3,500 project profiles, scores of essays, interviews and reviews.Publish: Post your projects, events, announcements.No Ads: No advertisements, miners, banners.Education: Tutorials (beginners and advanced) with code examples, downloads.Jobs Archive: Find employers who have recruited here in the past…

Processing enthusiasts rejoice! There is a new book coming by Daniel Shiffman and it’s called Nature of Code. As it’s title implies this book takes phenomena that naturally occur in our physical world and shows you how to simulate them with code.

Sorry, this is Members Only content. Please Log-in. Join us today by becoming a Member. Archive: More than 3,500 project profiles, scores of essays, interviews and reviews.Publish: Post your projects, events, announcements.No Ads: No advertisements, miners, banners.Education: Tutorials (beginners and advanced) with code examples, downloads.Jobs Archive: Find employers who have recruited here in the past…

Count

1-30 of 42

Tags

  • 3d printing
  • ACT
  • ACT Festival
  • Adam Basanta
  • Addie Wagenknecht
  • Adrienne Shaw
  • Alain Thibault
  • Aleksandra Domanović
  • Aliens in Green
  • Allison Burtch
  • Alpha-ville
  • Amanda Phillips
  • Amnon Owed
  • Amy Balkin
  • Andreas Broeckmann
  • Andreas Gysin
  • Andrew Heumann
  • Angel Duarte
  • Anna Antropy
  • Annina Rüst
  • Antonin Fourneau
  • Arsenal
  • Arthur Ross Architecture Gallery
  • Asia Culture Center
  • Atsuko Tanaka
  • Aubrey Gabel
  • Audrey Samson
  • BIAN
  • BIAS
  • Baltan Laboratories
  • Ben Bogart
  • Ben Fry
  • Benedikt Groß
  • BiarBalliet
  • Bill Vorn
  • Bitcoin
  • Bonnie Ruberg
  • CAD
  • CAM
  • CGI
  • Cambridge University CAD Group
  • Camille Baumann-Jaeger
  • Carl Lostritto
  • Carlos Cruz-Diez
  • Carmen Salas
  • Carnegie Mellon
  • Carsten Nicolai
  • Casey Reas
  • CentrePasquArt
  • Charles Eastman
  • Chikashi Miyama
  • Chrisopher Noessel
  • Claire Evans
  • Claudius Lazzeroni
  • Clinker
  • Cod.Act
  • Columbia GSAPP
  • Cybernetic Serendipity
  • Daito Manabe
  • Dana Cupkova
  • Daniel Cardoso Llach
  • Daniel Rourke
  • Daniel Shiffman
  • Dardex
  • David Rokeby
  • Davide Boriani
  • Davide Fornari
  • Denise Caruso
  • Derek A. Burrill
  • Diamond Version
  • Digital
  • Doug Easterly
  • Douglas Edric Stanley
  • ETH Zurich
  • Eastern Bloc
  • Ebru Kurbak
  • Ed Flinn
  • Edmond Y. Chang
  • Elektra
  • Elevenplay
  • Emmanual Biard
  • Ensemble Vortex
  • Ernesto Oroza
  • Estela Oliva
  • Esther Hunziker
  • Evala
  • Events
  • Eyal Weizman
  • F.A.T
  • Fabio Franchino – ToDo
  • Frank Bretschneider
  • François Morellet
  • Free Art and Technology (F.A.T.) Lab
  • Fridman Gallery
  • Garnet Hertz
  • Gary James Joynes
  • Generative Design
  • Geoff Manaugh
  • George Stiny
  • Gianni Colombo
  • Giorgio Olivero
  • Giovanni Anceschi
  • Golan Levin
  • Gordan Savicic
  • Gramazio & Kohler
  • Gruppo T
  • Gwangju
  • Gwenola Wagon
  • Gysin & Vanetti
  • Hans Haacke
  • Harlo Holmes
  • Harshit Agrawal
  • Hartmut Bohnacker
  • Harun Farocki
  • Heather Armstrong
  • Hervé Huitric
  • IMDA
  • Ian Bogost
  • Ingrid Burrington
  • Institute for Applied Autonomy
  • Irene Posch
  • Ivan Sutherland
  • Jaime Carreriro
  • James Bridle
  • Jan Nikolai Nelles
  • Jean Dupuy
  • Jean Tinguely
  • Jen Liu
  • Jen Lowe
  • Jeon Joonho
  • Jer Thorp
  • Jesús Rafael Soto
  • Jillian York
  • Joanie Lemercier
  • John Maeda
  • Jonas Jongejan
  • Jonathan Minard
  • Jonathan Puckey
  • Joseph Choma
  • Josh Begley
  • Julia Laub
  • Julian Oliver
  • Julien Prévieux
  • Julio Le Parc
  • Jürg Lehni
  • Kamil Nawratil
  • Karl Gerstner
  • Kate Crawford
  • Kazunao Abe
  • Keetra Dean Dixon
  • Ken Knowlton
  • Khoi Vin
  • Kirsten Stoll
  • Kirsten Stolle
  • Kontejner
  • Kyle McDonald
  • LGBTQ
  • Lauren McCarthy
  • Leander Herzog
  • Leigh Alexander
  • Liam Young
  • Lillian Schwartz
  • Lima
  • Lindsay Howard
  • Lorrie Cranor
  • Lukas Trunige
  • MIAN
  • MIT Press
  • MIT Servomechanisms Laboratory
  • Maddy Varner
  • Manfred Mohr
  • Maral Pourkazemi
  • Marie-Julie Bourgeois
  • Mark Lombardi
  • Marko Peljhan
  • Martin Fröhlich
  • Martin Messier
  • Matt Kenyon
  • Matthew Biederman
  • Matthew Epler
  • Mattie Brice
  • Maxime Damecour
  • Microwave
  • Miller Gallery
  • Minha Yang
  • MoMA
  • Moniker
  • Monique Nahas
  • Moon Kyungwon
  • Morehshin Allahyari
  • Muriel Cooper
  • Museum of Contemporary Art Tokyo
  • Musée d'art Contemporain de Montréal
  • Myriam Bleau
  • NOME
  • NORM
  • NSDOS
  • Nathan Shedroff
  • Navine G. Khan-Dossos
  • Nelmarie Du Preez
  • Netflix
  • Nora Al-Badri
  • Norbert Wiener
  • Olaf Bender
  • OpenPaths
  • Orlan
  • Paola Antonelli
  • Paolo Almario
  • Paolo Cirio
  • Patrick Tresse
  • Paul Pagnaro
  • Paul Prudence
  • Pe Lang
  • Pedro G.C. Olivera
  • Peter Moosgaard
  • Philip Steadman
  • Philipp Lammer
  • Pierce Warnecke
  • Piero Gilardi
  • Piotr Kowalski
  • Pittsburgh
  • Princeton Architectural Press
  • Processing
  • Rafaël Rozendaal
  • Rafeal Lozano-Hemmer
  • Raffaello D’Andrea
  • Ralf Baecker
  • Reference
  • Robatlab
  • Robert Yang
  • Rotterdam
  • Runa Sandvik
  • Ryoji Suzuki
  • Ryuichi Sakamoto
  • SAT
  • Samuel Bianchini
  • Sang-won Leigh
  • Satoshi Furuya
  • Scott Donaldson
  • Scott Kiddall
  • Selena Savic
  • Serena Cangiano
  • Sho Miyake
  • Short Cuts
  • Sidi Vanetti
  • Singapore
  • Sketchpad
  • Sound
  • Stelarc
  • Steven A. Coons
  • Stéphane Degoutin
  • Suzanne Treister
  • Sylvie Tissot
  • Synaptic Lab
  • Takis
  • Tatlin
  • Telefónica
  • The Art of Failure
  • The Computer History Museum
  • The New Institute Rotterdam
  • The ReCode Project
  • Theory
  • Thibault Brevet
  • Thomas Bégin
  • Thomas Keenan
  • Tim Maughan
  • Todd Harper
  • Tomas Saraceno
  • Troika
  • Uber
  • University of Minnesota Press
  • Vera Molnar
  • Wim Delvoye
  • Women on Waves
  • Xuedi Chen
  • Yacoov Agam
  • Yvonne Weber
  • Zach Lieberman
  • Zimoun
  • Ai
  • Algorithm
  • Anonymity
  • Anthony dunne
  • Api
  • Archive
  • Arts
  • Arts and technology
  • Avatar
  • Barcelona
  • Berlin
  • Bitforms
  • Blockchain
  • Body
  • Book
  • Clouds
  • Code
  • Computation
  • Conference
  • Critical making
  • Culture
  • Dance
  • Daniel rozin
  • Darpa
  • Data
  • Database
  • Design
  • Design fiction
  • Design future
  • Device
  • Digital art
  • Disnoavation.org
  • Documentary
  • Drone
  • Electronics
  • Exhibition
  • Exonemo
  • Facebook
  • Featured
  • Feedback
  • Festival
  • Film
  • Fiona raby
  • Framed
  • Gender
  • Generative
  • Geometry
  • Google
  • Guest post
  • Hacking
  • History
  • IPhone
  • Information
  • Installation
  • Instrument
  • Interaction design
  • Interactive
  • Internet
  • Interview
  • Itp
  • James george
  • Knowledge
  • Landscape
  • Learning
  • Lia
  • Lidar
  • Live
  • Loop
  • Machine
  • Making
  • Mechanical turk
  • Media
  • Media archeology
  • Method
  • Mit
  • Montreal
  • Music
  • Narrative
  • Natural systems
  • Nature
  • Never apart
  • New media art
  • New york
  • Nyc
  • Ocr
  • Oculus rift
  • Online
  • OpenFrameworks
  • Performance
  • Photography
  • Politics
  • Premiere
  • Privacy
  • Process
  • Publishing
  • Queerness
  • Rca di
  • Rendering
  • Representation
  • Review
  • Rhizomatiks
  • Ritual
  • Science fiction
  • Security
  • Shamanism
  • Sight & sound
  • Silicon valley
  • Simulation
  • Social
  • Society
  • Software
  • Sonar
  • Sonar+d
  • South korea
  • Speculative design
  • Streaming
  • Surveillance
  • Switzerland
  • Teaching
  • Technology
  • Telepresence
  • Theorizing the web
  • Trance
  • Twitter
  • Videogames
  • Virtual
  • Visualization
  • Vr
  • Web
  • William lai
  • Yugo nakamura
  • Zine