Created by the students at the Zurich University of the Arts, ‘Remote Materialities’ module and to be presented at the upcoming Ars Electronica Festival in Linz, ‘Remote Materialities’ explores the future scenographies of our coexistence with robotic devices.

Robotic devices are leaving their industrial habitats and entering natural or other built environments. How do we create and interact with and within the spaces shared by these new materialities and hidden agencies? How do such devices help or confuse the topic of remoteness in the post-pandemic world? As an interface between digital and physical, robotic arms are our engines of inquiry for future scenarios of materiality, perception and living.

The “Remote Materialities” course resulted in four scenographies, ranging from infinite sand dunes and juxtapositions of the technical and ephemeral, to digitally augmented contexts with dystopian undertones and futuristic facilities based on a gamified draconianism. The projects explored varied natures of human-machine relationships; leaving the arm fully autonomous, in direct-control or an ambiguous state without clear human or machine primacy. They might, as such, develop their own ecosystems or become obsolete, remain a friendly extension of a human gesture or turn this gesture into a threat. The absence of a human in the setup brings an additional layer of ambiguity to those already remote scenographies.

The course was attended by the 4th-semester students from Interaction Design, Industrial Design, Visual Communication, Trends & Identity and Game Design at the Zurich University of the Arts in February 2021 as an Interdisciplinary Practice Module. All course content was taught online via zoom. Students developed their final project outcomes with U-arm robotic units controlled by both native (Blockly) and custom (processing) code with camera-based interactions. 

Project Page | Interaction Design at ZHdK

Lecturers: Luke Franzke, Maria Smigielska & Lisa Ochsenbein
Guest lecturers: dr. James Bern, dr. Mihye An & Emmanuelle Chiappone- Piriou
Students: Felix Brunold, Aathmigan Jegatheeswaran, Tim Oechslin, Nora Waldispuehl, Dimitris Giannoulas, Lino Fischer, Mai Watanabe, Chanel Liang, Kilian Ettlinger, Meret Jans, Samuel Marti, Manuel Wirth and Ramona Rüttimann

/++

Autonomous Drawing Robot by Matthias Dörfelt, Determined to Reproduce

Robo Faber is an autonomous drawing robot determined to continuously reproduce graphic connectors. It creates drawings generated using a preset system that is based on the the same process as drawings created by hand.

Creative Robotics Symposium @ UAL: Creative Computing Institute

The Creative Computing Institute will host an international line-up of established speakers from University of Tokyo, Imperial College London and UAL.

Flippaper – Player-sketched pinball

A collaboration by artists Jérémie Cortial Roman Miletitch, Flippaper is an interactive pinball console in which players can draw their own playfield.

BloodBank and DarkLight –  Physically distributed ambient storytelling

Created by the students of Media Design Master at HEAD Genève, BloodBank and DarkLight are two games that explore the notion of physically distributed ambient storytelling and coerce users into playful and shared forms of interaction.