While working on ROUTES: A Multi-Perspective Exploration of Traditional Dance in Singapore, we were exploring volumetric film making to be applied to our physical holographic video installation. As we were uncertain if the pandemic situation will cancel the whole physical experience or not. So having a “Digitized” version of the dances in volumetric data, we can further expand it into the virtual world / Meta-verse etc. Fortunately, the physical exhibition was a success and ran smoothly for 3 months. But I still have all this data with me so I edited an alternate version of how the TEASER will look like in volumetric: https://vimeo.com/666392428
Using a Microsoft Kinect Azure depth sensor, rig it to a BMPCC 6K and recorded on a PC workstation running a RTX3080 graphic card ( GPU power is a must ). Using Depthkit’s volumetric video capture software, Element 3D and Plexus in Aftereffects to create this depthkit version
Created by LIMAGE, a collective comprised of media designers, 3d creators, artists and coders, ‘Avatar·Mythology’ is a performance drawing on the worldview of Shan Hai Jing (Classic of Mountains and Seas), a Chinese classic text of mythic geography and beasts.
Choosing the right type of camera for your interactive installation is one of the most important technical choices you can make in your initial planning phases. Making the incorrect choice can really impact how well your installation reacts to its victims and it can also impact its ability to perform robustly in a large amount of environments.
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