New Art/Science Affinities [News, Books]

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"New Art/Science Affinities" is a new publication focusing on artists working right now at the intersection of art, science and technology. Co-published by The Miller Gallery at Carnegie Mellon University and the STUDIO for Creative Inquiry, this 190-page book was written and designed in one week by four authors (Andrea Grover, Régine Debatty, Claire Evans and Pablo Garcia) and two designers (Thumb) in a collaborative authoring process known as a "book sprint" (derived from "code sprinting" for open source projects).

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NODE15: Wrapped in Code – The future of the informed body

Starting today (27. April – 3. May 2015), the international NODE – Forum for Digital Arts in Frankfurt assembles international participants and speakers in the areas of design, art, culture and science, who newly define borders of design and programming.

Blackbar – A sci-fi story of a dystopian future told as a word puzzle

Created and written by Neven Mrgan & James Moore, Blackbar is a text game and a sci-fi story of a dystopian future told through the medium of word puzzles.

Document 1. – CAN’s new event series examines cross-disciplinary practice

CAN has joined forces with UAL Creative Computing Institute to present the first in a series of events that examine new forms of cross-disciplinary art and design practice. Entitled “Document 1.”, it’s comprised of a workshop, seminar, and symposium, and takes place March 11th–13th at UAL’s Camberwell College of Art in London.

Software Studio – Casey Reas at Resonate 2013

Making an argument for software as a dense medium for visual arts. After doing work for 10 years, in this presentation Casey Reas reflect on the work and tries to put this argument for coding in a wider context.

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