"How much of one is in the other" explores the unique invocations of the RGB colour space. Colour value as defined in applications is a combination of Red, Green and Blue values between the ranges of 0-255. This work generates a unique colour from the hashcode and thus values for each of Red, Green and Blue channels. Each unique minted edition of this work visually explores its RGB colour space by keeping one value constant while the other is circled between 0 to 255 values. The resulting work is a unique rendering of each color value varying between their maximum ranges, by always keeping one value constant. The final image is constructed in a way that it also reads as an aesthetic graph of the minted RGB values.
"How much of one is in the other" is also a conceptual artwork, in a way that the title also encodes the algorithm itself. The idea driving the work emerges from our individualities that creates differentiated notions of self resulting a fragmented world, but yet we are also social beings with our emotions, desires, likes and dislike and such qualities that bind us as human beings. This work attempts to bring to surface these commonalities of our unique selves.
For its summer project in 2013, Mudam’s Publics Department invited Yuri Suzuki to conceive Looks Like Music, an audiovisual installation based on his work with Colour Chaser – beautifully designed but minimal vehicle that detects and follows a black line whilst it reads crossing coloured lines and translates them as RGB data into sound.
Created in collaboration with Damian Steward, LIA’s project Rain (2012) is currently on show as part of the exhibition medien.kunst.sammeln at Kunsthaus Graz. It is a fully self-contained wood+aluminium enclosure to exhibit Lia’s interactive generative software artworks from the 1990s and early 2000s.
Created by Ralf Baecker, Putting The Pieces Back Together Again is an artistic investigation and meditation about complex systems and scientific methodology. Consisting of 1250 stepper motors arranged in a two dimensional grid, each motor in the installation moves in a random direction, sometimes intersecting and reversing direction, producing emergent constellations and behaviours.
Some seven months ago Squarepusher and WARP records released a video titled Z-Machines, comprised of hand built robots showcasing the stupendous chops of the robot guitarist, drummer and keyboard player.
Join us and access more than 3,500 projects from thousands of cross-disciplinary artists working with technology.
Since 2008, CAN has been at the forefront of innovation – facilitating and driving the conversations about technology, society and critical making. From online/offline publications to live events, CAN’s initiatives have played an instrumental in shaping the innovative creative practices we know today.
