‘Impressions of Order’ is a collection of 300 generative compositions.
Inspired by 90s ROM cartridges, server farms and future cityscapes this project explores perception and documentation of ‘order’ within complex systems.
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This artwork is best enjoyed in high-resolution so that the subtle layering, colour shifts, variation in hard and soft edges, faint impressions of construction, and the various low-probability glitchy events can be fully appreciated.
By default, the artwork will load in 2K resolution (1400 x 2000 px). It is recommended that you view the work in 4K or 6K to appreciate the finer details.
The keyboard buttons: “2”, “4”, and “6” can be pressed to change the resolution to 2K, 4K and 6K resolution accordingly.
To download an image at its current resolution, press the keyboard button “S”.
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Artwork created with p5.js
@nbswwit
Sept 2022
Black Box Camera interprets the subject you want to capture in your photo and uses artificial intelligence to generate a unique physical print based on its own interpretation of that subject.
Series of workshops by Ludwig Zeller at the Visual Communication Institute of the Academy of Art and Design in Basel to use generative systems to create visual instruments that mimic the expressivity of electronic music synthesizers.
Created by Romain Cazier at ECAL, Rec All is an interpretation of the geometrical style puzzle games, widely popular on mobile. Taking some of this genre’s features, Romain designed a singular universe, where strange creatures with a cyclic behaviour are generated from a simple gesture.
Ending tonight, after a week of live streaming, is the latest in the series of artworks by Universal Everything (UE) that feature 3D humans shrouded in digital costumes. Titled ‘Infinity’, the new work is a live stream, always reshaping and evolving from one character to the next, generating an average of 3,180 unique characters per hour with a total of 50,000+ variations over the last week, stream live on YouTube, only for a few more hours!
Since 2008, CAN has been at the forefront of innovation – facilitating and driving the conversations about technology, society and critical making. From online/offline publications to live events, CAN’s initiatives have played an instrumental in shaping the innovative creative practices we know today.