Natural processes are computational at their very core, and like atoms, gravity, electricity, the sun, the moon, and the big bang, computation tells part of our cosmological story.
The “spaceplant” series expresses this “computational beauty of nature” (a phrase borrowed from Gary William Flake’s book of that title) through a lo-fi simulated garden. This garden has been grown by collecting, curating and nurturing algorithmic specimens that inhabit a space both cellular and planetary. A symphony of particle forces orchestrates the form and interaction of the simulation, tuned to cosmological constants by the artist.
49 kB of compiled JavaScript. Code written 100% from scratch with no dependencies. Mouse interactive.
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Untitled No. 1 is a video collage using only images collected from the previous 24 hour news cycle. The entire video was computationally generated using corpus based artistic stylization developed by Parag K. Mital as part of his ongoing research.
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Created in collaboration with Damian Steward, LIA’s project Rain (2012) is currently on show as part of the exhibition medien.kunst.sammeln at Kunsthaus Graz. It is a fully self-contained wood+aluminium enclosure to exhibit Lia’s interactive generative software artworks from the 1990s and early 2000s.
Created by Brad Todd, Collimation takes a form of basic form of artificial intelligence, where the visual stimuli is translated, in a performative act of seeing with the resulting data that takes the form of a neuron.
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