The Face We Had is a series of generative, moving sculptures attempting to express the artists personal thoughts, experiences and inclinations related to meditative and altered states of consciousness. In a non-descriptive way, the piece aims to reflect the always changing nature of mind through patterns of movement and assemblages of form, color and organic shapes, endlessly revolving around a perceived point of origin.
Although not intended as literal depictions, the elements interact in a way that could be interpreted as dance-like interactions between thought patterns, mental energy, feelings, fragments of memories and layers of personal identity.
Interactive features:
space - pause/play
w - wireframe view
d - debug view (compute textures)
s - save screenshot
KRILLER is an eternally looping, seven day, globally synced audio-visual broadcast of synth soaked ambient software (online) experience. The weeklong broadcast is divided into 6300 software art ‘cassettes’, each bound to a specific moment of time during the week, minted by its fabricator, and seamlessly fusing with its predecessor and successor to form audiovisual duets and mashups.
Installation that combines screenprinting, capacitive sensing, interactive tapestries and generative soundscape, as a large-scale metaphor for the idea of breathing life into a textile skin.
Created by Alex McLean (Yaxu), Spicule is an album released as a Pi Zero with high quality DAC in custom case, allowing the tracks to be remixed and reworked using the TidalCycles live coding environment.
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