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❮ BIAN’s 4th Edition – Contemplating (Post-Digital) Corporeality ❯

A review, photos, and selection of highlights from the abundant offerings of the 4th edition of the International Digital Art Biennial (BIAN) in Montreal.

❮ Tense Relations: human vs. machine art and aesthetics at BIAN ❯

CAN contributor Dylan Schenker considers AUTOMATA (“art made by machines for machines”) and the uneasy relation between human and machine aesthetics at the third edition of Montreal’s BIAN digital art biennale.