‘Amelia and the Machine’ is the first in a series of investigations of creative human-robot teams led by Dr. Kate Sicchio (choreography) and Dr. Patrick Martin (robotics). It explores gestures of the robot arm as a starting point for a duet. Interacting through mimicry, timings and spatial patterns, this piece examines choreography beyond our own human bodies and how we begin to dance with machines.
By creating choreographic performances with dancers and robots the team aims to explore movement, improvisation and intertwined moments of creativity as a way to examine how autonomous moving systems can learn from dancers and how choreography can be expanded through the use of bodies beyond humans.
Created with LoCoBot mobile manipulator robot and custom python script
Credits: Choreography: Kate Sicchio, Alicia Olivo Dancer: Amelia Virtue Robotics: Patrick Martin, Charlies Dietzel, Alicia Olivo Music: Melody Loveless, Kate Sicchio Video Projection: Tamara Denson, Taylor Colimore, Kate Sicchio
The Mylar Topology is a new audiovisual performance by the London-based artist Paul Prudence. In it liquid forms ripple along with binaural beats, forming vertebral columns and congealing oil slicks – which dissipate as quickly as they form.
Created at ECAL during a one week workshop led by Thibault Brevet, The Center for Counter-Productive Robotics is a collection of experiments where a robot was programmed to perform counter-productive tasks, with intention to develop a more human-centric approach to robotics.
Minibuilders is a research project comprised of a family of small-scale construction robots designed to perform diverse tasks, linked to the different phases of construction, finally working together as a family towards the implementation of a single structural outcome.
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