Sonification and the (re-)performance of data – an interview with Brian House

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[caption id="attachment_36881" align="alignleft" width="160"]OpenPaths OpenPaths[/caption]

Well, it confirmed that collaborating with brilliant weird people in interesting contexts is always a good idea! In general, I think the lab is a really smart and even necessary initiative that disrespects traditional approaches to any given problem. and what it means at an institution like the Times certainly goes beyond how R&D might be understood at a gadget company – it's an agnostic look at the ways in which our relationship to information may be shifting.

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Samplr for iPad – Music at your fingertips

Created by Marcos Alonso, Samplr lets you make music and play with sound in a new and intuitive way by touching the waveform on the screen directly with your fingers.

Quadrotors at the Saatchi & Saatchi New Directors Showcase 2012 by MLF – Details

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Woods – Structured landscape of responsive light by Nocte

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When the Machine Made Art – Grant Taylor traces the origins of computational creativity

CAN interviews Grant D. Taylor, author of the 2014 book “When the Computer Made Art: The Troubled History of Computer Art,” on the past, present and future of digital art.

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Commute as Composition – Brian House’s Forty-eight to Sixteen

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