/Addie Wagenknecht (5)



In November 2019, CAN joined the biannual ECAL Research Day to find out how methodologies borrowed from science and engineering can strengthen creative practice—and drive the conversation.
14/02/2020In October CAN headed to Pittsburgh to toast the 30th Anniversary of The Frank-Ratchye STUDIO for Creative Inquiry. The event was accompanied by “Intersections,” a dynamic group exhibition showcasing many of the anti-disiciplinary works produced within the labs. Here, we review the show and share details about various included works.
08/11/2019A review, photos, and selection of highlights from the abundant offerings of the 4th edition of the International Digital Art Biennial (BIAN) in Montreal.
03/08/2018This past December a dozen artists, activists, and researchers converged at the STUDIO for Creative Inquiry for a book sprint. Led by Addie Wagenknecht, the all-women cadre convened under the collective moniker Deep Lab, and examined how privacy, security, surveillance, and large-scale data aggregation are problematized in the arts, culture and society.
13/01/2015Addie Wagenknecht’s first solo exhibition in the United States is currently on view at bitforms gallery in NYC. In her work, a critical space between lived experience and sculpture emerges, as she plays with the contemporary anxieties of post-Snowden information culture.
10/11/2014In November 2019, CAN joined the biannual ECAL Research Day to find out how methodologies borrowed from science and engineering can strengthen creative practice—and drive the conversation.
Tags: Addie Wagenknecht / ai / Ala Tannir / Alan Warburton / artificial intelligence / Bianca Berning / Bianca Berning (Dalton Maag) / Cathy O’Neil / Christian Kaegi (Qwestion) / Christian Mio Loclair (Waltz Binaire) / cloud computing / Davide Fornari / Dev Joshi / ecal / ECAL Research Day / EPFL+ECAL Lab / Fabrice Aeberhard (Viu) / featured / ghosts / Haunted Machines / Hugues Vinet (IRCAM) / Impakt Festival / IRCAM / James Bridle / Kai Bernau / Kate Crawford / machine learning / Mario de Vega / Matthew Plummer-Fernandez / max bense / Natalie D Kane / Natalie Kane / Neri Oxman / Nicolas Henchoz / Nicolas Nova / Patrick Keller / Random International / skylar tibbits / sustainability / Thilo Alex Brunner / Tobias Revell / v&a / Waltz Binaire
In October CAN headed to Pittsburgh to toast the 30th Anniversary of The Frank-Ratchye STUDIO for Creative Inquiry. The event was accompanied by “Intersections,” a dynamic group exhibition showcasing many of the anti-disiciplinary works produced within the labs. Here, we review the show and share details about various included works.
Tags: Addie Wagenknecht / andy warhol / Claire Hentschker / CMU / cory arcangel / event / exhibition / featured / Golan Levin / james george / Jon Rubin / Jonathan Minard / Madeline Gannon / media lab / Miller Gallery / moon / Pablo Garcia / Pittsburgh / review / Tahir Hemphill / The Frank-Ratchye STUDIO for Creative Inquiry
A review, photos, and selection of highlights from the abundant offerings of the 4th edition of the International Digital Art Biennial (BIAN) in Montreal.
Tags: Adam Basanta / Addie Wagenknecht / Aleksandra Domanović / BIAN / Chikashi Miyama / Cod.Act / daniel rozin / Elektra / festival / IMDA / Manfred Mohr / MIAN / montreal / NSDOS / Ralf Baecker / review / SAT
This past December a dozen artists, activists, and researchers converged at the STUDIO for Creative Inquiry for a book sprint. Led by Addie Wagenknecht, the all-women cadre convened under the collective moniker Deep Lab, and examined how privacy, security, surveillance, and large-scale data aggregation are problematized in the arts, culture and society.
Tags: Addie Wagenknecht / Allison Burtch / anonymity / book / Claire Evans / data / Denise Caruso / Events / film / Harlo Holmes / Ingrid Burrington / Jen Lowe / Jillian York / Kate Crawford / Lindsay Howard / Lorrie Cranor / Maddy Varner / Maral Pourkazemi / politics / privacy / review / Runa Sandvik / security / society / surveillance
Addie Wagenknecht’s first solo exhibition in the United States is currently on view at bitforms gallery in NYC. In her work, a critical space between lived experience and sculpture emerges, as she plays with the contemporary anxieties of post-Snowden information culture.