BIAN’s 4th Edition – Contemplating (Post-Digital) Corporeality
A review, photos, and selection of highlights from the abundant offerings of the 4th edition of the International Digital Art Biennial (BIAN) in Montreal.
BIAN
Tense Relations: human vs. machine art and aesthetics at BIAN
CAN contributor Dylan Schenker considers AUTOMATA (“art made by machines for machines”) and the uneasy relation between human and machine aesthetics at the third edition of Montreal’s BIAN digital art biennale.
EM15, May 27 – June 1, 2014
As part of EM15 in Montreal, CAN will be organising live Q&A sessions with audiovisual performers Matthew Biederman and Alan Thibault, and Paul Prudence.
Along the Line – Florian Grond’s linear space-time recordings
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Fragments in Space – Olivier Ratsi’s White Roads in the Red Matrix
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A Colour Field Point of No Return – Matthew Biederman’s Event Horizon
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The Variable City – François Quévillon’s Dérive
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Electrostatic Bell Choir & Feedback Babies – Recent work by Darsha Hewitt
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