/Cod.Act (4)



From the inventions of computing pioneer Douglas Engelbart to the philosophies of Andy Clark and David Chalmers: curator Philo van Kemenade reveals what inspired the 2019 edition of Bratislava’s Sensorium Festival (June 7-9)
07/05/2019A review, photos, and selection of highlights from the abundant offerings of the 4th edition of the International Digital Art Biennial (BIAN) in Montreal.
03/08/2018CentrePasquArt’s super-group show Short Cuts invites viewers to trace ideas, influences, and positions across five decades of work by merely taking a few steps.
01/06/2015The sixteenth edition of Montréal’s ELEKTRA festival took place from May 13th-17th and delivered a range of audiovisual performances and installations addressing the notion of ‘post-audio’ or perception beyond sound—CAN was on hand to have our retinas singed and eardrums buzzed by the ‘POST-AUDIO’-themed programming.
26/05/2015From the inventions of computing pioneer Douglas Engelbart to the philosophies of Andy Clark and David Chalmers: curator Philo van Kemenade reveals what inspired the 2019 edition of Bratislava’s Sensorium Festival (June 7-9)
Tags: artificial intelligence / Augmented Creativity / Bratislava / Cod.Act / Cognitive Science / Douglas Engelbart / Embodied Cognition / event / festival / Human Computer Interaction / Intelligence Augmentation / Kimchi and Chips / Matthew Plummer-Fernandez / memo akten / rulr / Sensorium / Slovakia / Stefanie Posavec
A review, photos, and selection of highlights from the abundant offerings of the 4th edition of the International Digital Art Biennial (BIAN) in Montreal.
Tags: Adam Basanta / Addie Wagenknecht / Aleksandra Domanović / BIAN / Chikashi Miyama / Cod.Act / daniel rozin / Elektra / festival / IMDA / Manfred Mohr / MIAN / montreal / NSDOS / Ralf Baecker / review / SAT
CentrePasquArt’s super-group show Short Cuts invites viewers to trace ideas, influences, and positions across five decades of work by merely taking a few steps.
Tags: Andreas Gysin / Angel Duarte / Antonin Fourneau / Atsuko Tanaka / Carlos Cruz-Diez / Casey Reas / CentrePasquArt / Cod.Act / Cybernetic Serendipity / Davide Boriani / Davide Fornari / Douglas Edric Stanley / Ensemble Vortex / Esther Hunziker / ETH Zurich / F.A.T / Fabio Franchino – ToDo / featured / framed / François Morellet / Free Art and Technology (F.A.T.) Lab / Gianni Colombo / Giorgio Olivero / Giovanni Anceschi / Golan Levin / Gordan Savicic / Gramazio & Kohler / Gruppo T / Gysin & Vanetti / Hervé Huitric / Jean Dupuy / Jesús Rafael Soto / Julien Prévieux / Julio Le Parc / Jürg Lehni / Karl Gerstner / Leander Herzog / lia / Manfred Mohr / Marie-Julie Bourgeois / Martin Fröhlich / Matthew Epler / Monique Nahas / NORM / Philipp Lammer / Piero Gilardi / Piotr Kowalski / Rafaël Rozendaal / Raffaello D’Andrea / Samuel Bianchini / Selena Savic / Serena Cangiano / Short Cuts / Sidi Vanetti / switzerland / Sylvie Tissot / Synaptic Lab / Takis / The ReCode Project / Thibault Brevet / Troika / Vera Molnar / william lai / Yacoov Agam / yugo nakamura / Yvonne Weber
The sixteenth edition of Montréal’s ELEKTRA festival took place from May 13th-17th and delivered a range of audiovisual performances and installations addressing the notion of ‘post-audio’ or perception beyond sound—CAN was on hand to have our retinas singed and eardrums buzzed by the ‘POST-AUDIO’-themed programming.
Tags: Baltan Laboratories / BIAS / bitforms / Carsten Nicolai / Clinker / Cod.Act / Diamond Version / Elektra / festival / Frank Bretschneider / Gary James Joynes / IMDA / Kontejner / Martin Messier / Matthew Biederman / Maxime Damecour / Microwave / montreal / Musée d'art Contemporain de Montréal / Myriam Bleau / Olaf Bender / Paul Prudence / Pierce Warnecke / review / The Art of Failure
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