Neurotic Armageddon Indicator (NAI) – Proximity to armageddon

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13/03/2013
Data Visualiser at The Open Data Institute

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08/03/2013
Considering Virtuality: Theorizing the Web 2013

A strangeness abounds when people are asked to theorize and elucidate something so untethered and rhizomatic as the Internet. At its basic structure, networks connect us to the images, data and knowledge we draw upon every day. Yet what is at the heart of these connections and what separates or integrates our In Real Life (IRL) and digital personas?

06/03/2013
Aleph of Emotions – Device for Emotional States of Cities Around the World

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04/01/2013
“Every Day Of My Life” by Marcin Ignac

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07/12/2012
Facebook Demetricator – The Unquantified Self

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22/10/2012
Anatomy of a Series – Santiago Ortiz’s Lostalgic

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01/10/2012
Commute as Composition – Brian House’s Forty-eight to Sixteen

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24/09/2012
emoto – Data sculpture by Studio NAND and Moritz Stefaner + Drew Hemment

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21/09/2012
McLaren P12 Teaser ‘McLaren vs Aerodynamics’ by MLF

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20/09/2012
Above the Cloud – Archaeology of Social Networks

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22/08/2012
Miebach and Posavec – Data, Visualization, Poetry and Sculpture

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10/08/2012
Constructed Land – 65,000 Variations on a Theme

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08/08/2012
Emoto captures and visualises the excitement around the Olympic Games

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27/07/2012
Words of a Middle Man – Human to machine and machine to machine dialogues

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03/07/2012
The Superstitious Fund Project – Trading algorithm that operates Superstitiously – DI RCA 2012

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20/06/2012
‘Point Cloud’ – Arduino structure by James Leng breathes weather data

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31/05/2012
On Journalism #2 Typewriter by Julian Koschwitz

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28/05/2012

This project, a collaboration between Dentsu, Honda Motor and Rhizomatiks brings back Senna’s engine sound from that lap 24 years ago in the form of an installation set on the original Suzuka circuit that uses light and sound.

Derived from passion for baseball, Teehan+Lax Labs set out to create an iPad app to display Baseball stats but with a slight twist. The iPad cover that includes graphs cut in acrylic acts as data sculpture accompanying data displayed on the iPad.

Building on the momentum from a conversation that began at Eyeo last month, CAN talks to Brooklyn/Providence-based media artist Brian House about data, sonification, performance and scandal.

Brendan Dawes visualises six million rows of information for EE’s roll-out of 4G in these 12000 x 23000 px data visualisations created with Processing.

Eyes on the Sky is a process-based investigation into generative design and the weather linking 64 public-access web cameras across Europe, recording the colour of the sky and producing a book that collects a week of paintings where cameras paint the weather.

Marc De Pape’s “The Chime”, a complex assemblage of sensors that composes generative music from ambient environmental data.

User 632 is an installation that stores the behaviour of the people who look at it by monitoring them in return. It is designed to know when and how a person passes and stores information as data or ID dependant on proximity.

For the second time, Munich will be all about the combination of interface design and innovative experiences. push.conference unites interaction designers, creative coders and UX professionals to shape the future of our field.

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Pixel is Data is not your ordinary photography app for the iOS. It uses the image data to reorder the pixels according to their values. You can use photographic order or the RGB components of each pixel to determine priority

Speculative Sea Level Explorer is an application made using Processing that explores the possible effects flooding should the sea levels change as a result of global warming.

Project designed to present an ironical viewpoint on encoded wallets as a data input interface which invites to overcome fear of impossibility to control spread of confidential information for the sake of curiosity of interaction with an object of art.

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A strangeness abounds when people are asked to theorize and elucidate something so untethered and rhizomatic as the Internet. At its basic structure, networks connect us to the images, data and knowledge we draw upon every day. Yet what is at the heart of these connections and what separates or integrates our In Real Life (IRL) and digital personas?

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Created by David Bowen, Underwater is an installation created for INTERIEUR 2012. It uses a Microsoft Kinect to collected real-time surface data from moving wave patterns and translates them into this large scale installation comprised of hundreds of servo-motors.

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