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13/12/2013: The Human Seasons by David Dawson – Set Design by Eno Henze

after effects / David Dawson / Eno Henze / Events / Greg Haines / performance / projection / projection mapping / shadow / stage / The Royal Ballet

The Human Seasons by David Dawson – Set Design by Eno Henze

Eno Henze’s set design creates a backdrop for the atmospheric and emotionally resonant choreography by David Dawson for The Royal Ballet.

13/12/2013

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❮ The Human Seasons by David Dawson – Set Design by Eno Henze ❯

Eno Henze’s set design creates a backdrop for the atmospheric and emotionally resonant choreography by David Dawson for The Royal Ballet.

Category: Members / vvvv
Tags: after effects / David Dawson / Eno Henze / Events / Greg Haines / performance / projection / projection mapping / shadow / stage / The Royal Ballet

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CreativeApplications.Net [CAN] is a community of creative practitioners working at the intersection of art, media and technology. Since 2008, CAN has been at the forefront of innovation—facilitating and contributing to the conversation about culture, society and critical making. CAN is also known for uncovering and contextualising noteworthy work featured on the festival and gallery circuit, executed within the commercial realm or developed as academic research. From online and offline publications to live events, CAN’s initiatives have played an instrumental role in the ideation, development and critique of a multitude of computational tools, projects and collaborations — always promoting critical dialogue, disciplinary interstices, knowledge sharing and feedback + response in diverse media. Join us today by becoming a Member.

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Join us and access more than 3,500 projects from thousands of cross-disciplinary artists working with technology.

Since 2008, CAN has been at the forefront of innovation – facilitating and driving the conversations about technology, society and critical making. From online/offline publications to live events, CAN’s initiatives have played an instrumental in shaping the innovative creative practices we know today.