/James Bridle


In November 2019, CAN joined the biannual ECAL Research Day to find out how methodologies borrowed from science and engineering can strengthen creative practice—and drive the conversation.
14/02/2020The 2017 edition of Eastern Bloc’s Sight + Sound festival put ‘capital I’ innovation in its cross-hairs and pulled the trigger. We journeyed to Montreal to its flagship exhibition and assess its spectrum of ‘non-compliant futures.’
01/11/2017“Evidentiary Realism” is an exhibition that delves into the aesthetics of sites of inaccessibility, incarceration, and intrigue. CAN’s NYC correspondent Dylan Schenker ponders the Paolo Cirio-curated show, which emerges from the collaboration of NOME and the Fridman Gallery.
16/03/2017In November 2019, CAN joined the biannual ECAL Research Day to find out how methodologies borrowed from science and engineering can strengthen creative practice—and drive the conversation.
Tags: Addie Wagenknecht / ai / Ala Tannir / Alan Warburton / artificial intelligence / Bianca Berning / Bianca Berning (Dalton Maag) / Cathy O’Neil / Christian Kaegi (Qwestion) / Christian Mio Loclair (Waltz Binaire) / cloud computing / Davide Fornari / Dev Joshi / ecal / ECAL Research Day / EPFL+ECAL Lab / Fabrice Aeberhard (Viu) / featured / ghosts / Haunted Machines / Hugues Vinet (IRCAM) / Impakt Festival / IRCAM / James Bridle / Kai Bernau / Kate Crawford / machine learning / Mario de Vega / Matthew Plummer-Fernandez / max bense / Natalie D Kane / Natalie Kane / Neri Oxman / Nicolas Henchoz / Nicolas Nova / Patrick Keller / Random International / skylar tibbits / sustainability / Thilo Alex Brunner / Tobias Revell / v&a / Waltz Binaire
The 2017 edition of Eastern Bloc’s Sight + Sound festival put ‘capital I’ innovation in its cross-hairs and pulled the trigger. We journeyed to Montreal to its flagship exhibition and assess its spectrum of ‘non-compliant futures.’
Tags: 3d printing / Aliens in Green / Audrey Samson / Daniel Rourke / Dardex / disnoavation.org / Eastern Bloc / Ernesto Oroza / exhibition / exonemo / festival / Gwenola Wagon / James Bridle / montreal / Morehshin Allahyari / never apart / Peter Moosgaard / review / sight & sound / speculative design / Stéphane Degoutin / Thomas Bégin
“Evidentiary Realism” is an exhibition that delves into the aesthetics of sites of inaccessibility, incarceration, and intrigue. CAN’s NYC correspondent Dylan Schenker ponders the Paolo Cirio-curated show, which emerges from the collaboration of NOME and the Fridman Gallery.
Tags: Amy Balkin / Eyal Weizman / featured / Fridman Gallery / Hans Haacke / Harun Farocki / Ingrid Burrington / James Bridle / Jan Nikolai Nelles / Josh Begley / Kirsten Stoll / Kirsten Stolle / Mark Lombardi / Navine G. Khan-Dossos / NOME / Nora Al-Badri / nyc / Paolo Cirio / representation / surveillance / Suzanne Treister / Thomas Keenan
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