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  • Creativeapplications.Net (CAN) is a community of creative practitioners working at the intersection of art, media and technology.
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    04/04/2018: Otherly Space/Knowledge – Questions of knowledge in the age of data Review
    ACT / ACT Festival / Asia Culture Center / Daito Manabe / data / database / Digital / Evala / Events / exhibition / featured / Gwangju / Harshit Agrawal / information / Jeon Joonho / Jonas Jongejan / Kazunao Abe / knowledge / Kyle McDonald / Lauren McCarthy / learning / making / Marko Peljhan / Matthew Biederman / Moon Kyungwon / Pierce Warnecke / privacy / review / Ryoji Suzuki / Ryuichi Sakamoto / Sang-won Leigh / Satoshi Furuya / security / Sho Miyake / south korea / technology / Tomas Saraceno / visualization
    Otherly Space/Knowledge – Questions of knowledge in the age of data

    Review of the exhibition last month at the Asia Culture Center in Gwangju, South Korea – a collection of 12 works questioning the essential meaning and significance of the data world.

    04/04/2018
    Review
    ❮ Otherly Space/Knowledge – Questions of knowledge in the age of data ❯

    Review of the exhibition last month at the Asia Culture Center in Gwangju, South Korea – a collection of 12 works questioning the essential meaning and significance of the data world.

    Category: Review
    Tags: ACT / ACT Festival / Asia Culture Center / Daito Manabe / data / database / Digital / Evala / Events / exhibition / featured / Gwangju / Harshit Agrawal / information / Jeon Joonho / Jonas Jongejan / Kazunao Abe / knowledge / Kyle McDonald / Lauren McCarthy / learning / making / Marko Peljhan / Matthew Biederman / Moon Kyungwon / Pierce Warnecke / privacy / review / Ryoji Suzuki / Ryuichi Sakamoto / Sang-won Leigh / Satoshi Furuya / security / Sho Miyake / south korea / technology / Tomas Saraceno / visualization

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    CreativeApplications.Net [CAN] is a community of creative practitioners working at the intersection of art, media and technology. Since 2008, CAN has been at the forefront of innovation—facilitating and contributing to the conversation about culture, society and critical making. CAN is also known for uncovering and contextualising noteworthy work featured on the festival and gallery circuit, executed within the commercial realm or developed as academic research. From online and offline publications to live events, CAN’s initiatives have played an instrumental role in the ideation, development and critique of a multitude of computational tools, projects and collaborations — always promoting critical dialogue, disciplinary interstices, knowledge sharing and feedback + response in diverse media. Join us today by becoming a Member.
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