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BHonam Kim is an artist who makes devices, focused on creating one context between music and materiality. So much as the dream of Kim’s childhood is an instrument maker not as a musician, Kim is interested in making interfaces.
Communicating with various people through devices, searching for new ways in it is the primary point in Kim’s artworks. Consequently, Kim collects and expresses the residue memory of people through destructing and reconstructing various kinds of devices. Expanding through collaborations, Kim’s devices as one of the interfaces become instruments of performance or optical devices connecting images and sound.
In this process, Kim’s devices bring expressions of devices which are material and technological mediums of interfaces to the light. Expression of technological mediums reveals the material and technological natures which concealed in the black box. In this way, by placing artworks that are hidden in black boxes in this age of technological society outside in the space, Kim would like to bring realizing “how to operate” and “how to make” in it to appreciation in itself.
Honam Kim explores ways of making contexts of mediums by building a device.
Through the process of deconstructing and reinventing devices of various mediums/media, he expresses and collects the memories left in devices. His device is expanded in collaborations as an interface. It can be an instrument in sound performance or an optical device that connects images and sounds and so on. Whttp://kimhonam.com Lseoul SShareCopy to Clipboard: Name + CAN + URL
Echo Chamber System for Submarine Cable invites reflection on the illusion of simultaneity in the internet environment, revealing its composition of subtle, non-simultaneous moments.
Beepscape for Walla is a simulation of a forest in nature, gathering the beep sounds of old mechanical devices. Each electronic light-sound device has a light sensor on the circuit, it makes the sound of a grass bug made of beep responding to hand...
Wavescape for Walla creates an ocean by collecting waves that were captured between channels on a radio. It celebrates the auditory and tactile memories of radios as disappearing devices.
Echo Chamber System for Submarine Cable invites reflection on the illusion of simultaneity in the internet environment, revealing its composition of subtle, non-simultaneous moments.
Beepscape for Walla is a simulation of a forest in nature, gathering the beep sounds of old mechanical devices. Each electronic light-sound device has a light sensor on the circuit, it makes the sound of a grass bug made of beep responding to hand-drawing animation projected by a projector.
Wavescape for Walla creates an ocean by collecting waves that were captured between channels on a radio. It celebrates the auditory and tactile memories of radios as disappearing devices.
TitlesEcho Chamber System for Submarine Cable Echo Chamber System for Submarine Cable invites reflection on the illusion of simultaneity in the internet environment, revealing its composition of subtle, non-simultaneous moments.,
Beepscape for Walla Beepscape for Walla is a simulation of a forest in nature, gathering the beep sounds of old mechanical devices. Each electronic light-sound device has a light sensor on the circuit, it makes the sound of a grass bug made of beep responding to hand...,
Wavescape for Walla – Collect N... Wavescape for Walla creates an ocean by collecting waves that were captured between channels on a radio. It celebrates the auditory and tactile memories of radios as disappearing devices.,
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