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BI investigate ways to expand cinematic language by using sculpture as a medium for communicating experimental animation. In this process, I combine computational devices with robotic and mechanical parts to create mandala-inspired kinetic sculptures. I see these sculptures as a medium - an essential step in realizing what I believe is the primary focus: the ephemeral animations or choreographies that emerge when these sculptures are in motion. Currently, my work is delving into more conceptual ideas related to time and perception. Recent projects such as The Carousel and Observed, Observing, Observer utilize unconventional slow frame rates and imagery deconstruction to produce what I define as ambient animation. My artworks have been displayed at various museums and international festivals, including the National Museum of Modern and Contemporary Art in Seoul, Korea. OÖ Kulturquartier, Linz, Austria. Museum der bildenden Künste, Leipzig, Germany. Power Station of Art, Shanghai, China. TransAmériques Montréal Canada. “Dance Machines” Lille3000 France. RIAUS, Royal Institute Adelaide, Australia. EXIT Festival Créteil, Paris, France. Amber`09 Technology and Arts Festival Istanbul, Turkey. Incheon International Digital Arts Festival, Korea. WRO Expanded City Media Art Biennale Wroclaw, Poland. Kapelica Gallery Ljubljana, Slovenia. E-Art Festival Shanghai, China. Almost Cinema, Vooruit, Gent, Belgium. Ars Electronica Linz, Austria. Whttps://www.peter-william-holden.com LLeipzig SShareCopy to Clipboard: Name + CAN + URL
Eight Kodak Carousel projectors in a 2x4 grid project abstract images from paper cutouts. Modified photoresistors create a feedback loop, allowing 65,536 unique, spontaneous images. It runs infinitely at 12 frames/min, merging light, shadow, and m...
An image of Nam June Paik’s TV-Buddha is turned into a 24hr/fps animation where a px is a frame. Filmed and reconstructed daily, errors accumulate - highlighting the gap between digital perfection and messy reality.
Eight Kodak Carousel projectors in a 2x4 grid project abstract images from paper cutouts. Modified photoresistors create a feedback loop, allowing 65,536 unique, spontaneous images. It runs infinitely at 12 frames/min, merging light, shadow, and mechanical sound.
An image of Nam June Paik’s TV-Buddha is turned into a 24hr/fps animation where a px is a frame. Filmed and reconstructed daily, errors accumulate - highlighting the gap between digital perfection and messy reality.
TitlesThe Carousel – The mechanical, sponta... Eight Kodak Carousel projectors in a 2x4 grid project abstract images from paper cutouts. Modified photoresistors create a feedback loop, allowing 65,536 unique, spontaneous images. It runs infinitely at 12 frames/min, merging light, shadow, and m...,
Observed, Observing, Observer – The t... An image of Nam June Paik’s TV-Buddha is turned into a 24hr/fps animation where a px is a frame. Filmed and reconstructed daily, errors accumulate - highlighting the gap between digital perfection and messy reality.,
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