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  • Created at the Mediated Matter Research Group at the MIT Media Lab, The Silk Pavilion explores the relationship between digital and biological fabrication on product and architectural scales. The primary structure was created of 26 polygonal panels made of silk threads laid down by a CNC (Computer-Numerically Controlled) machine, followed by a swarm of 6,500 silkworms spinning flat non-woven silk patches as they locally reinforced the gaps across CNC-deposited silk fibers.

    Inspired by the silkworm’s ability to generate a 3D cocoon out of a single multi-property silk thread (1km in length), the overall geometry of the pavilion was created using an algorithm that assigns a single continuous thread across patches providing various degrees of density. Overall density variation was informed by the silkworm itself deployed as a biological “printer” in the creation of a secondary structure.

    Affected by spatial and environmental conditions including geometrical density as well as variation in natural light and heat, the silkworms were found to migrate to darker and denser areas. Desired light effects informed variations in material organization across the surface area of the structure. A season-specific sun path diagram mapping solar trajectories in space dictated the location, size and density of apertures within the structure in order to lock-in rays of natural light entering the pavilion from South and East elevations. The central oculus is located against the East elevation and may be used as a sun-clock. Parallel basic research explored the use of silkworms as entities that can “compute” material organization based on external performance criteria. Specifically, we explored the formation of non-woven fiber structures generated by the silkworms as a computational schema for determining shape and material optimization of fiber-based surface structures.

    Within few months, if the sculpture was left as is, moths can produce 1.5 million eggs with the potential of constructing up to 250 additional pavilions.

    Research and Design by the Mediated Matter Research Group at the MIT Media Lab in collaboration with Prof. Fiorenzo Omenetto (TUFTS University) and Dr. James Weaver (WYSS Institute, Harvard University).

    Mediated Matter researchers include Markus Kayser, Jared Laucks, Carlos David Gonzalez Uribe, Jorge Duro-Royo and Prof. Neri Oxman (Director),

    Project Page | Mediated Matter Group

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  • P Carlos David Gonzalez UribeCarlos David Gonzalez Uribe is a designer and researcher working across architecture, computation, and digital fabrication. He was a research assistant with the Mediated Matter group at the MIT Media Lab. https://www.media.mit.edu/groups/mediated-matter/people/, Jared LaucksJared Laucks is a designer and researcher working across architecture, computation, and digital fabrication. He was a research assistant with the Mediated Matter group at the MIT Media Lab. https://www.media.mit.edu/people/jlaucks/overview/, Jorge Duro-RoyoJorge Duro-Royo is a designer and researcher working across architecture, computation, and digital fabrication. He was a research assistant with the Mediated Matter group at the MIT Media Lab. https://www.media.mit.edu/groups/mediated-matter/people/, Markus KayserMarkus Kayser is a designer and researcher exploring digital fabrication and sustainable manufacturing, known for Solar Sinter, a solar-powered 3D printer that fuses desert sand into glass; also a collaborator with MIT's Mediated Matter Group on the Silk Pavilion, Fiberbots and Glass I (G3DP). http://kayserworks.com/, Mediated Matter GroupMIT Mediated Matter group focuses on Nature-inspired design and design-inspired Nature. The group is no longer active. See https://oxman.com, Neri OxmanNeri Oxman is known for work that combines design, biology, computing, and materials engineering. She is also a former professor at the MIT Media Lab, where she led the Mediated Matter research group. https://oxman.com
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