Arche-Scriptures – Our digital traces in the future-past

‘Arche-Scriptures’ explores ceramics as a possible medium to store digital information. An artifact is found at a speculative archeological dig-site is being scanned by a decrypting machine, through which the visitor is invited to listen as the original audio data engraved onto the ceramics is slowly retrieved and sonified.

01/08/2022
KHM Netze Open and KH門 Festival

The Academy of Media Arts Cologne (KHM) hosts an annual diploma exhibition KHM Open from 21st to 25th July 2021 in various locations in Cologne as well as online. In addition to diploma works, there are interventions in hybrid forms, led by students and seminars at KHM. “Netze Open” is an online exhibition platform by…

16/07/2021
Four Transitions – The (unstoppable) passing of time on the half a century of technological advancement

Created by Jürg Lehni for the collection of HeK – House of electronic Arts in Basel, ‘Four Transitions’ is an artwork about the passing of time. Together, four displays work in tandem to unveil the current time, with each unit taking one minute to compose one numeral, deploying visual compositions and choreographies that correspond to the nature and character of each technology.

30/06/2021
Living In the Gap: In Conversation with Peter Burr

Spanning physical and virtual space, Peter Burr’s exhibition, Responsive Eye, examines contemporary life in the grid. Taking cues from minimalism and op art, the work pushes the limits of a viewer’s perception and awareness, thrusting them into that gap between what is seen and what is felt. In this interview by Daniel Glendening, Burr digs into history, things that are not there, and what it means to be fleshy bodies gathering in digital space.

13/03/2021
Neo-Natur – A space for thought, about and for Nature / ART+COM

Designed and constructed by ART+COM Studios in collaboration with Futurium and Schiel Projekt, ‘Neo-Natur’ is a permanent installation for Berlin’s Futurium exhibition that explores our potential futures from different areas of life––from self-sufficient cities, to the future of work and ideas for more sustainable consumption.

30/09/2019

For the 7th time now, 600 experience designers and creative technologists will join us this October in Munich to take a close look at all things interactive. As always, we’ll not just feature talks and workshops but also a hands-on exhibition showcasing interactive projects from graduates and design studios all the way to companies like Bosch and BMW.

20/07/2018
Designing the Computational Image, Imagining Computational Design – An Excavation of Digital Form

“Designing the Computational Image, Imagining Computational Design” is an exhibition that excavates the foundation of computer-aided design and manufacturing and weaves together several ‘origin stories’ for contemporary consideration. The show recently closed after a seven-week run at the Miller Gallery at Carnegie Mellon University in Pittsburgh, and CAN was fortunate enough to get a guided tour with curator Daniel Cardoso Llach as it was winding down.

21/11/2017
Bits And Pieces – An organic wave of Hoberman Spheres

Currently on show at Berlin’s NOME Gallery is the latest work by Nils Völker titled Bits And Pieces. The installation consists out of 108 mass-produced toy spheres hanging in the middle of the exhibition space, individually addressable and controlled, to create organic waves that appear to move throughout the space.

06/04/2016

Serena Cangiano reviews “Perfect Behaviours – life redesigned by the algorithm” curated by Giorgio Olivero and on show in Turin, Italy’s OGR Officine Grandi Riparazioni.

Sun Thinking is an online group show that brings together artists and writers to explore some of the themes and questions central to the Solar Protocol.

Heavens is a moving-image work and installation created using planetarium projection methods to overlay planetary footage with deep sea imagery, looking at deep space to see deep into the ocean.

Current students at UAL Creative Computing Institute on the MSc Creative Computing course, have design and curated an exhibition inspired by the words of english poet William Blake.

Category: Member Submissions
Tags: /

Algae Chorus is a sound installation that collaborates with living algae, in real time, transforming their movement and photosynthesis process into sounds. The algae utilize the audience’s collective carbon exhalations within the exhibition space, revealing the mutual dependencies between humans and photosynthetic organisms.

‘Arche-Scriptures’ explores ceramics as a possible medium to store digital information. An artifact is found at a speculative archeological dig-site is being scanned by a decrypting machine, through which the visitor is invited to listen as the original audio data engraved onto the ceramics is slowly retrieved and sonified.

RE:PLACES is a complex 1.70-meter-high robotic apparatus that excretes the plastic objects and then deposits them around the exhibition space like three-dimensional brushstrokes.

Created by Dries Depoorter and currently exhibited at the New Media Gallery, ‘Seattle Crime Cams’ questions the sense of citizens responsibility in the age where technology has enabled us to participate globally.

The Academy of Media Arts Cologne (KHM) hosts an annual diploma exhibition KHM Open from 21st to 25th July 2021 in various locations in Cologne as well as online. In addition to diploma works, there are interventions in hybrid forms, led by students and seminars at KHM. “Netze Open” is an online exhibition platform by…

Created by Jürg Lehni for the collection of HeK – House of electronic Arts in Basel, ‘Four Transitions’ is an artwork about the passing of time. Together, four displays work in tandem to unveil the current time, with each unit taking one minute to compose one numeral, deploying visual compositions and choreographies that correspond to the nature and character of each technology.

In today’s mercurial, complex, and ambiguous world, our bodies oscillate between the virtual and the real more than ever. The world-famous collective Rhizomatiks is testing the web, presenting performances and experimental online-based systems, and approaching these situations from a variety of angles.

Created by Quiet Ensemble, ‘SOLE’ is a 360 degree video-mapping that, thanks to the use of 49 video projectors, simulates the movement of the sun around the inside the hall of the Salone degli Incanti in Trieste.

Spanning physical and virtual space, Peter Burr’s exhibition, Responsive Eye, examines contemporary life in the grid. Taking cues from minimalism and op art, the work pushes the limits of a viewer’s perception and awareness, thrusting them into that gap between what is seen and what is felt. In this interview by Daniel Glendening, Burr digs into history, things that are not there, and what it means to be fleshy bodies gathering in digital space.

Created by panGenerator, “Icons” is an exhibition exploring our shared cultural “imaginarium” of digital gestures, symbols, and artefacts, dragging them out onto a physical space, enabling audiences a direct, tactile confrontation and – also literally – a different visual perspective.

In October CAN headed to Pittsburgh to toast the 30th Anniversary of The Frank-Ratchye STUDIO for Creative Inquiry. The event was accompanied by “Intersections,” a dynamic group exhibition showcasing many of the anti-disiciplinary works produced within the labs. Here, we review the show and share details about various included works.

Designed and constructed by ART+COM Studios in collaboration with Futurium and Schiel Projekt, ‘Neo-Natur’ is a permanent installation for Berlin’s Futurium exhibition that explores our potential futures from different areas of life––from self-sufficient cities, to the future of work and ideas for more sustainable consumption.

For the 7th time now, 600 experience designers and creative technologists will join us this October in Munich to take a close look at all things interactive. As always, we’ll not just feature talks and workshops but also a hands-on exhibition showcasing interactive projects from graduates and design studios all the way to companies like Bosch and BMW.

“Designing the Computational Image, Imagining Computational Design” is an exhibition that excavates the foundation of computer-aided design and manufacturing and weaves together several ‘origin stories’ for contemporary consideration. The show recently closed after a seven-week run at the Miller Gallery at Carnegie Mellon University in Pittsburgh, and CAN was fortunate enough to get a guided tour with curator Daniel Cardoso Llach as it was winding down.

Created by Schnellebuntebilder, four installs now on display at the ZCOM Zuse Computer Museum in Hoyerswerda, Germany, capture and celebrate the pioneering work of Konrad Zuse, famed German engineer and inventor whose biggest achievement, the 1941 Turing-complete programmable computer Z3, is regarded to be the world’s first of its kind.

The 2017 edition of Eastern Bloc’s Sight + Sound festival put ‘capital I’ innovation in its cross-hairs and pulled the trigger. We journeyed to Montreal to its flagship exhibition and assess its spectrum of ‘non-compliant futures.’

Showcasing three film collaborations by Liam Young and Tim Maughan, “New Romance: Love Stories from the Machine City” is an exhibition currently showing at the Arthur Ross Architecture Gallery (Columbia GSAPP) about finding respite and cultivating resistance in the smart city.

Created by Sebastian Schmieg, ‘Decision Space’ explores how new datasets can enable new experiments in teaching computers how to understand images within a set of meaningful and complex categories.

Created and Directed by Anita Fontaine and Geoffrey Lillemon with W+K Amsterdam, Bitmap Banshees is a VR experience set inside a dystopian Amsterdam, where a gang of biker banshees have taken over the city and are out to get you.

Delving into the glorious ambiguity of human communication, “TLDR (Too Long; Didn’t Read)” is a group exhibition at Oakland’s B4BEL4B Gallery that explores text and language.

Riffing on the idealism (and the dark underbelly) of modernist design, The House in the Sky is a recent installation by by Sascha Pohflepp and Chris Woebken exploring the limits of science, thought, and human perception.

Taking place at Espacio Fundación Telefónica in Lima between 17 March – 19 June, New Realities is a touring exhibition curated and produced by Alpha-ville which explores how the phenomenal pace of technological advancement is changing the way we perceive ourselves and our world.

The Gray Area Foundation for the Arts has been active in San Francisco for a decade. On the eve of the second edition of their eponymous festival, CAN chats with the Gray Area team about their ongoing educational and programming initiatives.

Currently on show at Berlin’s NOME Gallery is the latest work by Nils Völker titled Bits And Pieces. The installation consists out of 108 mass-produced toy spheres hanging in the middle of the exhibition space, individually addressable and controlled, to create organic waves that appear to move throughout the space.

New solo exhibition by Ryoichi Kurokawa featuring the stunning ‘constrained surface’ and the ‘unfold’, new project exploring data taken from giant molecular clouds in space through beautifully visual and sonic environments that showcase the birth of stars.

Count

1-30 of 109

Tags

  • 3d printing
  • ACT
  • ACT Festival
  • ARTCOM
  • Addie Wagenknecht
  • Aliens in Green
  • Alpha-ville
  • Andrew Heumann
  • Anita Fontaine
  • Anna Ploegh
  • ArtEngineering
  • Arthur Ross Architecture Gallery
  • Asia Culture Center
  • Audrey Samson
  • B4BEL4B Gallery
  • Barry Threw
  • Benedikt Groß
  • BiarBalliet
  • Brightsign
  • C
  • CAD
  • CAM
  • CGI
  • CMU
  • CNC
  • Cambridge University CAD Group
  • Carl Lostritto
  • Carmen Salas
  • Carnegie Mellon
  • Carolin Liebl
  • Charles Eastman
  • Chris Delbuck
  • Chris Woebken
  • Claire Hentschker
  • Cohen Van Balen
  • Columbia GSAPP
  • Daito Manabe
  • Dana Cupkova
  • Daniel Cardoso Llach
  • Daniel Rourke
  • Dardex
  • Digital
  • Dries Depoorter
  • Eastern Bloc
  • Elevenplay
  • Environment
  • Ernesto Oroza
  • Estela Oliva
  • Evala
  • Events
  • FACT
  • GAN
  • Gelare Khoshgozaran
  • Generative Design
  • Geoffrey Lillemon
  • George Stiny
  • Golan Levin
  • Gray Area
  • Gray Area Festival
  • Gwangju
  • Gwenola Wagon
  • Harshit Agrawal
  • HeK
  • HfK Bremen
  • Interface
  • Ivan Sutherland
  • James Bridle
  • Jeon Joonho
  • Joanna Cheung
  • Joey Lee
  • Jon Rubin
  • Jonas Jongejan
  • Jonathan Minard
  • Jono Brandel
  • Joseph Choma
  • Jurg Lehni
  • Jürg Lehni
  • Kazunao Abe
  • Ken Knowlton
  • Klingklangklong
  • Konrad Zuse
  • Kyle McDonald
  • Lauren McCarthy
  • Liam Young
  • Lillian Schwartz
  • Lima
  • MIT Servomechanisms Laboratory
  • Mac
  • Madeline Gannon
  • Marko Peljhan
  • Matt Ganucheau
  • Matthew Biederman
  • Matthias Dörfelt
  • Miller Gallery
  • Min Choi
  • Mindy Seu
  • Moon Kyungwon
  • Morehshin Allahyari
  • Museum of Contemporary Art Tokyo
  • NOME
  • Nikolas Schmid-Pfähler
  • Nils Völker
  • Pablo Garcia
  • Paul Pagnaro
  • Peter Burr
  • Peter Moosgaard
  • Philip Steadman
  • Pierce Warnecke
  • Pioneer Works
  • Pittsburgh
  • Plywood
  • Processing
  • RAND
  • Raspberry Pi
  • Ryoichi Kurokawa
  • Ryoji Suzuki
  • Ryuichi Sakamoto
  • San Francisco
  • Sang-won Leigh
  • Sascha Pohflepp
  • Satoshi Furuya
  • Scott Donaldson
  • Sebastian Schmieg
  • Sho Miyake
  • Sketchpad
  • Sound
  • Steven A. Coons
  • Stéphane Degoutin
  • Tahir Hemphill
  • Telefónica
  • Tensorflow
  • The Computer History Museum
  • The Frank-Ratchye STUDIO for Creative Inquiry
  • Theory
  • Thermal printer
  • Thomas Bégin
  • Tim Maughan
  • Tim Roseborough
  • Tomas Saraceno
  • Uncanny Valley
  • W+K Amsterdam
  • Zach Lieberman
  • Zuse Computer Museum
  • Aftereffects
  • Ai
  • Algorithm
  • Alternate reality
  • Andy warhol
  • Animation
  • Archive
  • Arduino
  • Art
  • Artificial intelligence
  • Augmented reality
  • Bacteria
  • Behaviour
  • Berlin
  • Biology
  • Biomimicry
  • Bitmap
  • Black gravel
  • Body
  • Brooklyn
  • Browser
  • Camera
  • Cctv
  • Censorship
  • Cinema4d
  • Citizen
  • Commission
  • Computation
  • Computing
  • Control
  • Cory arcangel
  • Cosmic
  • Creativeappsnet
  • Crowdsourcing
  • Custom
  • Danzer
  • Darpa
  • Data
  • Data visualization
  • Database
  • Dataset
  • Deep learning
  • Digital art
  • Digital product design
  • Disaster tourism
  • Disnoavation.org
  • Distance sensor
  • Diy
  • Documentary
  • Drone
  • Education
  • Emergence
  • Event
  • Exhibition
  • Exonemo
  • Featured
  • Festival
  • Film
  • Flipdot
  • Future
  • Game
  • Generative
  • Generative art
  • Geometry
  • Google
  • Growth
  • Guest post
  • History
  • Hololens
  • Hybrid
  • Information
  • Installation
  • Intelligence
  • Interaction
  • Interaction design
  • Interview
  • Isolation
  • James george
  • Javascript
  • Khm
  • Knowledge
  • Landscape
  • Lcd
  • Learning
  • Led
  • Led strips
  • Lidar
  • Light sensor
  • Liverpool
  • Machine
  • Machine learning
  • Madmapper
  • Making
  • Mass-produed
  • Media
  • Media lab
  • Microcontroller
  • Mit
  • Montreal
  • Moon
  • Munich
  • Museum
  • Network
  • Neural network
  • Never apart
  • New york
  • Nintendo
  • Nodejs
  • Nokia
  • Oakland
  • Object
  • Online
  • Op art
  • Opencv
  • Painting
  • PanGenerator
  • Pandemic
  • Paperjs
  • Perception
  • Performance
  • Photography
  • Plastic
  • Politics
  • Privacy
  • Process
  • Project
  • Projection
  • Projection mapping
  • Projector
  • Push conference
  • Quiet ensamble
  • Raspberrypi
  • Rendering
  • Representation
  • Research
  • Review
  • Rhizomatiks
  • Robotics
  • Scan
  • Sculpture
  • Security
  • Servo
  • Shadow
  • Sight & sound
  • Simulation
  • Software
  • Solenoid
  • Solo
  • Sonification
  • Sound installation
  • South korea
  • Space
  • Speculative
  • Speculative design
  • Sun
  • Surveillance
  • Technology
  • Teensy++
  • Tft
  • Tile
  • Ui
  • Unreal
  • Virtual
  • Virtual reality
  • Virus
  • Visualization
  • Vr