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    • Live Visuals 101 is a curriculum developed by David Lublin, author of VDMX, to learn (or teach others) about the techniques used to create live visual performances. There are six main topics, with a total of 15 lessons, each providing a mix of history / theory / and technical demonstrations.

    Cover: Erwin Piscator’s early multimedia experiments included projecting his own image (1920’s).

    Within the field of live visuals there are countless examples of different styles, aesthetics, techniques, and ideas to explore. These lessons are designed to provide a balance of historical context, artistic theory, and technical know-how for each section. The primary goal of this introduction course is to expose you to a broad range of topics that can be further explored in more detail in the future based on your own personal interests.

    David Lublin
    “In 1951 the first video tape recorder captured live images from television cameras by converting the camera’s electrical impulses and saving the information onto magnetic video tape. One of the founders of the video art movement, Nam June Paik, used early video recorders and started to hack the electron tubes on televisions in the early 60’s. Around the same time other artists like Lillian Schwartz, Steina and Woody Vasulka and Dave Jones worked out of places like Bell Labs and the Experimental Television Center to do things with video signals and early computers outside of the mainstream.”

    → docs.vidvox.net

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