Frederik De Wilde is a Belgian conceptual artist working at the interstice of art, science, and technology, best known for growing ‘the blackest black’ — a nanotube-based material — in collaboration with Rice University and NASA researchers, in works referencing Malevich’s Black Square. https://frederik-de-wilde.com/
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Moniker
Moniker are an Amsterdam based interactive design studio researching the social effects of technology.
onformative
onformative is a Berlin-based studio for digital art and design founded in 2010 by Julia Laub and Cedric Kiefer.
Sunanda Sharma
Sunanda Sharma is a researcher in MIT Media Lab's Mediated Matter group working on biological design and fabrication at scale, including hybrid living materials and bio-architecture for extreme env...
Pierce Warnecke
Pierce Warnecke is a Berlin-based media artist working with sound and generated/found video, creating dense audiovisual patterns from data sets and microscopic textures; co-curator of the Emitter M...
Amit Pitaru
Interaction designer, coder and educator from Brooklyn, New York, currently leading community-driven innovation projects at Google Creative Lab.
Stefano Maccarelli
Stefano Maccarelli is an Italian multidisciplinary artist and sound designer working across generative visuals, music video and film sound, known for the generative flight-simulation piece Roger Wa...
Lauren Lee McCarthy
Lauren Lee McCarthy is an artist examining social relationships in the midst of surveillance, automation, and algorithmic living.
Kimchi and Chips
Artist collective Mimi Son (KR) and Elliot Woods (UK) based in Seoul. Known for their technically sublime installations.
ONUT
ONUT is an art collective whose manifesto centres on universal human emotion, experimenting with new materials and technology in each piece, with an emphasis on equal access to art and education.
Matthieu Minguet
Matthieu Minguet is a Lausanne-based media and interaction designer (ECAL) working on tangible interaction and UX/UI, known for the knot(e) rope-based sound and visual interface.





















































