Riki Osawa is a Tokyo-based visual artist and digital creator working across sound, motion, and design. https://www.rikiosawa.com/
PA3L – Synthetic Memory Interfaces
PA3L is an ongoing art project that explores the hazy boundaries between memory, identity, and technological mediation. PA3L takes the form of digital artifacts, each centered on a fictional avatar called SYNC3R, both human and machine, exists wit...
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Alan Warburton
Alan Warburton is an artist, animator, video essayist and scholar working with CGI, AI, VR, AR, installation and sculpture.
Michael Candy
Michael Candy is an artist whose work reflects the socio-political currents of contemporary technologies.
Jürg Lehni
Jürg Lehni works collaboratively across disciplines, dealing with the nuances between technology, tools and the human condition.
Vetro Editions
Vetro Editions is a publishing house based in Berlin and a personal project of graphic designer and founder Luca Bendandi.
Special Projects
Special Projects is a London-based innovation studio which blends magic, humanity, and technology to craft strategic visions for the future and reinvent user interactions.
TheGreenEyl
TheGreenEyl is a design and research practice based in Berlin and New York. They create exhibitions, installations, objects, images, interactions and algorithms.
Nikolas Schmid-Pfähler
Using elements of robotics and scientific processes, Carolin Liebl and Nikolas Schmid-Pfähler create sculptures and installations that explore the aesthetic, social and ecological effects of techno...
Interactive Architecture Lab
The Interactive Architecture Lab at UCL is engaged in a range of academic research activities and industry collaborations exploring the potential of new sensing, computation, networked and responsi...
Reza Ali
Reza is a designer and software engineer working with real-time graphics, augmented and virtual reality, interface and product design.
Gysin-Vanetti
Andreas Gysin & Sidi Vanetti are an artist duo who explore images and patterns using the geometry of multi-use displays.





































