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BIAN’s 4th Edition – Contemplating (Post-Digital) Corporeality
A review, photos, and selection of highlights from the abundant offerings of the 4th edition of the International Digital Art Biennial (BIAN) in Montreal.
  • D03/08/2018
  • A@greg
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    • Tense Relations: human vs. machine art and aesthetics at BIAN
    CAN contributor Dylan Schenker considers AUTOMATA (“art made by machines for machines”) and the uneasy relation between human and machine aesthetics at the third edition of Montreal’s BIAN digital art biennale.
  • D17/06/2016
  • A@dylan
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    • EM15, May 27 – June 1, 2014
    As part of EM15 in Montreal, CAN will be organising live Q&A sessions with audiovisual performers Matthew Biederman and Alan Thibault, and Paul Prudence.
  • D15/05/2014
  • A@creativeapps
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    • Along the Line – Florian Grond’s linear space-time recordings
  • D01/08/2012
  • A@alexander
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    • Fragments in Space – Olivier Ratsi’s White Roads in the Red Matrix
  • D18/06/2012
  • A@greg
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    • A Colour Field Point of No Return – Matthew Biederman’s Event Horizon
  • D24/05/2012
  • A@greg
  • C
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    • The Variable City – François Quévillon’s Dérive
  • D18/05/2012
  • A@greg
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    • Electrostatic Bell Choir & Feedback Babies – Recent work by Darsha Hewitt
  • D15/05/2012
  • A@greg
  • C
  • P
  • T
    • BIAN’s 4th Edition – Contemplating (Post-Digital) Corporeality
    A review, photos, and selection of highlights from the abundant offerings of the 4th edition of the International Digital Art Biennial (BIAN) in Montreal.
  • D03/08/2018
  • A@greg
  • C,
  • P
    • Tense Relations: human vs. machine art and aesthetics at BIAN
    CAN contributor Dylan Schenker considers AUTOMATA (“art made by machines for machines”) and the uneasy relation between human and machine aesthetics at the third edition of Montreal’s BIAN digital art biennale.
  • D17/06/2016
  • A@dylan
  • C
  • P
  • T
    • EM15, May 27 – June 1, 2014
    As part of EM15 in Montreal, CAN will be organising live Q&A sessions with audiovisual performers Matthew Biederman and Alan Thibault, and Paul Prudence.
  • D15/05/2014
  • A@creativeapps
  • C
  • P, ,
    • Along the Line – Florian Grond’s linear space-time recordings
  • D01/08/2012
  • A@alexander
  • C
  • P
  • T,
    • Fragments in Space – Olivier Ratsi’s White Roads in the Red Matrix
  • D18/06/2012
  • A@greg
  • C
  • P
  • T
    • A Colour Field Point of No Return – Matthew Biederman’s Event Horizon
  • D24/05/2012
  • A@greg
  • C
  • P
  • T
    • The Variable City – François Quévillon’s Dérive
  • D18/05/2012
  • A@greg
  • C
  • P
  • T, , ,
    • Electrostatic Bell Choir & Feedback Babies – Recent work by Darsha Hewitt
  • D15/05/2012
  • A@greg
  • C
  • P
  • T

    • 1-8 of 8

    Titles BIAN’s 4th Edition – Contemplating (P...
    A review, photos, and selection of highlights from the abundant offerings of the 4th edition of the International Digital Art Biennial (BIAN) in Montreal.    , Tense Relations: human vs. machine ar...
    CAN contributor Dylan Schenker considers AUTOMATA (“art made by machines for machines”) and the uneasy relation between human and machine aesthetics at the third edition of Montreal’s BIAN digital art biennale.     , EM15, May 27 – June 1, 2014
    As part of EM15 in Montreal, CAN will be organising live Q&A sessions with audiovisual performers Matthew Biederman and Alan Thibault, and Paul Prudence.    , Along the Line – Florian Grond’...
    A little bench next to a pink orchid – Florian Grond, Austrian artist, scientist and ZKM alumni, offers visitors to Along the Line a friendly, but calculated spot to sit down in front of his abstract, wider than wide video projection. Once they do...    , Fragments in Space – Olivier Ratsi...
    File this one under better late than never: Olivier Ratsi’s White Roads in the Red Matrix (Deconstruction Time, Again project) was one of the cleverest installations CAN encountered at the International Digital Arts Biennial (BIAN) in Montre...    , A Colour Field Point of No Return – M...
    Several prominent currents run through the oeuvre of Montreal’s Matthew Biederman – data systems, politics, broadcast media, performance and the promotion of awareness of northern landscapes and cultures. Another interest that is evident acr...    , The Variable City – François Quévillo...
      Installation and media artist François Quévillon was amongst the many practitioners discussing their work at the International Marketplace for Digital Arts presentations during the BIAN two weeks ago in Montreal. Quévillon used his talk to ...    , Electrostatic Bell Choir & Feedb...
    CAN was all over the recent International Marketplace for Digital Arts (IMDA) event that took place as part of the first edition of the International Digital Arts Biennial (BIAN) in Montreal. These speed talks allowed a global roster of artists, c...    ,
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