This "algorithmic Sisyphus" explores the technoneoliberal dream: a perpetual, post-human choreography where machines replace us as masters of infinite repetition.

To Heat a Candle with the Warmth of You explores the energy consumption of AI through the medium of heat. The self-referencing system is prompted and the resulting heat from the computation slowly melts and erodes the candle in the physical world.

The Collapse of a Microcosm is a site-specific sound and light installation that engages in a continuous dialogue with its environment—a living archive of the present as it fades into the past.

Noise sampled from the city soundscape transformed into spatial audiovisual choreography, subversively confronting philharmonic audience with a problem of noise pollution.

By means of two formulations - image and word - 'Tempo e Tempo' investigates the juxtaposition of time and weather to search for a world where many worlds are possible to fit in: a dreamlike time where past, present and future meet.

The Red Line is a physical device that examines how we adapt to escalating crises, revealing our tendency to shift the threshold of what we consider acceptable over time. It is inspired by the concept of a "red line" — a figurative boundary that, once crossed, signifies a point of no return.

In 'Towards Matter, Particularly' scientific instruments are repurposed to bring to our sensual awareness the ever-present particles whirling with us. The particles determine how and when they reveal themselves, eliciting moments of light and sound and inviting new relationships with the matter that is us and our world.

'Material Sequencer' is an 8-step electromechanical sequencer, designed to emphasise the physical materiality of sound and sound production. The simple usb-powered sound-sculpture takes the sequencing process outside the black box and into the acoustic realm, flaunting its materiality and physicality.

This summer, visitors to Sao Paulo’s Itau Cultural Gallery find themselves face-to-face with a host of artificial life forms. Amongst them is a new version of artist Ruairi Glynn’s interactive installation 'Fearful Symmetry', which was first shown at the Tate Modern, London, in 2012.