War is a near real-time, physical manifestation of the language of conflict. It delivers quotes from news coverage of wars around the world, stripping away context and narrative to present war as it is: familiar, messy, and contradicting.

Dis-Augmented Reality is a series of works that explore the relationship between humans and digital technologies. Gilles's main objective is to rematerialize the art object and bring the images generated and designed for flat screens into real, three-dimensional space.

Datalake:Groundtruth is a triptych that takes the viewer into a series of ever-changing landscapes, marked by catastrophic events such as floods, landslides, fires, explosions, and the continuous destruction and construction of buildings and artificial structures.

This project uses iterative AI-generated imagery to explore model collapse, where AI drifts from original concepts over time. Reflecting on humanity's reliance on technology, it highlights ethical concerns and risks of losing authentic connections to reality, challenging how AI shapes perception and truth.

ESC is a game where the protagonist attempts to escape their own reality. Unlike most video games, which offer players an escape into narrative worlds where they wield power, ESC flips this dynamic, exploring themes of freedom and constraint in video games and highlighting the limits of our own existence.

Exit Reality marks the first attempt to map a world imbued with disorienting hallucinatory qualities, a realm that appears as a parallel planet that has emerged from the depths of code-space.

Latest in the series of experiments and explorations into neural networks by Memo Akten is a pre-trained deep neural network able to make predictions on live camera input – trying to make sense of what it sees, in context of what it’s seen before.

Matthew Plummer-Fernandez continues his exploration of glitched objects and their existence in the physical world. The latest set, titled Digital Natives, uses everyday items such as toys and detergent bottles that are 3D scanned using a digital camera, subjected to algorithms that distort and finally 3D printed in colour resin/sandstone..