Open Sound Control (OSC) is a protocol for networking sound synthesizers, computers, and other multimedia devices for purposes such as musical performance or show control.
‘Ghost’ installation traps visitors in an interactive snow storm
Ghost is an interactive installation of a snow storm, raging within an abandoned, barren landscape. Within this storm the visitor can make out a procession of human forms which seemingly try to find a way out. The bodies are remnants of the previo...
Nike Flyknit ‘Fit’ Installation by Universal Everything / Milan Design Week 2013
Universal Everything create a 4 sided video cube for Nike at Milan Design Week, capturing the hive of activity where living threads swarm across the screens responding to human presence.
Duration – OpenFrameworks Timeline for Creative Code
Created by James George and co-developed by YCAMInterLab during the Guest Research Project v.2, Duration is an open source and completely free timeline application built using openFrameworks which integrates with Processing, Cinder, vvvv, Unity3d,...
Cyclotone (2012) by Paul Prudence
This new piece by Paul Prudence takes conceptual cues from cyclotrons and particle accelerators and alludes to aspects of particle physics, space exploration and 4-dimensional space. It is inspired to commemorate the first wave of Russian cosmona...
Woods – Structured landscape of responsive light by Nocte
Woods is a responsive light installation commissioned by artistic director Heather Eddington of State of Flux DanceFilm Company for their Samuel Beckett Theatre Trust Awards 2013 finalist performance A Study of Who.
Parhelia [vvvv]
Parhelia by Paul Prudence is a real-time A-V performance piece where sample based mechanical sounds are used orchestrate a family of concentric forms in space. The vvvv scenes suggest the workings of a imaginary machine where its component parts, ...
Directors’ Showcase 2011 – Jamie Lidell and Clark
Show directed by Marshmallow Laser Feast in collaboration with Jonathan Santana & Xander Smith @ Saatchi & Saatchi.
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