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Narratron is an interactive projector that augments hand shadow puppetry with AI-generated storytelling. Designed for all ages, it transforms traditional physical shadow plays into an immersive and phygital storytelling experience.
Created by Danning Liang and Artem Laptiev at the MIT’s School of Architecture and Planning, VBox is an AI-powered radio for musical exploration and group vibrations. Through the Large Language Model, VBox captures the various abstracted understandings of the song played in the form of texts and lets you travel down one of these rabbit holes to find more of what is hard to describe.
KRILLER is an eternally looping, seven day, globally synced audio-visual broadcast of synth soaked ambient software (online) experience. The weeklong broadcast is divided into 6300 software art ‘cassettes’, each bound to a specific moment of time during the week, minted by its fabricator, and seamlessly fusing with its predecessor and successor to form audiovisual duets and mashups.
Paragraphica is a camera that utilizes location data and AI to visualize a “photo” of a specific place and moment. The camera exists both as a physical prototype and an online camera that you can try.
Antimodular Research, the Montreal-based studio of the artist Rafael Lozano-Hemmer, seek to hire an experienced Programmer.
06/09/2023 / canada montreal technologistHovercraft is looking for a talented and experienced UI designer to create industry-leading interfaces for web, mobile, and immersive digital installations.
14/07/2023 / Denver interaction designerSupported by a 5-year European research grant, The Intangible Realities Lab are looking for motivated and creative researchers to fill a number of creative positions.
11/07/2023 / creative coder spainUAL Creative Computing Institute are seeking a motivated individual to provide proactive academic management for their MSc Creative Robotics course.
05/06/2023 / Camberwell creative coder London ukCreativeapplications.Net (CAN) is a community of creative practitioners working at the intersection of art, media and technology.
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Since 2008, CAN has been at the forefront of innovation – facilitating and driving the conversations about technology, society and critical making. From online/offline publications to live events, CAN’s initiatives have played an instrumental in shaping the innovative creative practices we know today.
